{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5ff0586154e2a73589267809/6a81a10103af5e222ab4766b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Stiff Records’ 50th birthday! – the farcical magnificent record label and why we adored it  ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5ff0586154e2a73589267809/1786880037223-9c664bb1-51a8-43ad-a727-253e8f7768b1.jpeg?height=200","description":"<p>Stuff, nonsense, the white heat of debate and yesterday’s news today! Which this week involves …</p><p>&nbsp;</p><p>… which of these didn’t host a TV chat show – Ian Botham, Charlotte Church, Lily Allen or Harold Wilson?</p><p>&nbsp;</p><p>… if you’d paid £102 to see two-thirds of the Fugees show up an hour late, wouldn’t you SCREAM for a refund?</p><p>&nbsp;</p><p>… Britain’s most rock’n’roll hotel and why the idea of “excess” seems purely American</p><p>&nbsp;</p><p>… Dave and Stephane Grappelli at the Sunset Marquis</p><p>&nbsp;</p><p>… Reversing Into Tomorrow! We Came, We Saw, We Left! The genius of Stiff Records, “the Motown of Bayswater”, and the oddballs and misfits they signed</p><p>&nbsp;</p><p>… “there are only two types of record demand: too little and too much”</p><p>&nbsp;</p><p>… “Artistic breakthrough, the first double B-side!” The single that started the Indie boom</p><p>&nbsp;</p><p>… and why naked ballet doesn’t work.</p>","author_name":"Mark Ellen, David Hepworth and Alex Gold"}