Daniel Lanois built a studio in his basement in Quebec and began producing local acts when a teenager. Through work with Brian Eno, he went on to record U2, Bob Dylan, Arcade Fire, Emmylou Harris and scores of others with a method that’s unique, cinematic and utterly extraordinary, a brand of sonic architecture that creates settings to accommodate the songs, often in exotic and stimulating places. And he's made nine albums of his own, the latest the magical instrumental suite ‘Belladonna Nocturne’ – “hear this and you may never go home again”. This rich and fascinating conversation includes …
… how the place you record affects the way you think
... producing Dylan and Willie Nelson in an abandoned Mexican cinema
… why the first record he bought was Wipe Out by the Surfaris
… the process of “printing sound” and his Music Minus One theory
… “Songs are doorways to another dimension”
… Eno’s working method: “he walked round the studio for 45 minutes ringing bells to map out the length of the album”
… drawing song sketches to stop everyone having to crowd round a laptop
… making the Unforgettable Fire with U2, “expanding Slane Castle ‘til there were little critters crawling out of the walls!”
… conjuring the tropical heat of Robbie Robertson’s Somewhere Down the Crazy River
… and what Hells’ Angels like to do to his music.
Order Belladonna Nocturne here: https://artsmusic.lnk.to/BelladonnaNocturne
Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear
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