Andy Earl helped create the new dawn of colour photography in the ‘80s pop video age and went on to shoot a series of unforgettable portraits, album sleeves and magazine covers, many featuring in his new exhibition in Bankside Yards, London. He looks back here at some of his subjects and the analogue days when you flew halfway round the world for the right light and backdrop and every prop in the picture was real. Along with …
… that controversial BowWowWow shoot and how he got the job
… Johnny Cash in a cornfield near Melbourne and the dogs he called “Hell” and “Redemption”
… Duran Duran (and a mysterious nun) in Sri Lanka
… “my job was to create a look”
… why the age of digital photography brought a loss of control
… the Robbie Williams Life Thru a Lens “law court” shoot
… “he couldn’t have been more eccentric”: Prince in Monte Carlo and the confiscated camera
… Pink Floyd’s Delicate Sound of Thunder for Hipgnosis: where Dali met Magritte
… “in Monument Valley with a truckload of giant prosthetic eyeballs”: the Cranberries’ Bury the Hatchet cover
… how covers changed when the CD arrived
… and Madonna opening the hotel window and inhaling the sound of screaming fans: “I just need my hit!”
Andy’s show at Bankside Yards runs from May to August and is free to enter. Details here: https://banksidelondon.co.uk/events/andy-earl-x-bankside-yards/
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