{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5ff0586154e2a73589267809/68904a500bb12601f0aafbd1?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Elvis, the Colonel & how unseen letters changed Peter Guralnick’s view of their partnership","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5ff0586154e2a73589267809/1754285739840-aee64b0b-f1a8-4fc3-a146-9b7a52167247.jpeg?height=200","description":"<p>There’s a widely accepted view of the relationship between Elvis and his manager Tom Parker, the one sustained by the recent Baz Luhrmann movie, but a new and fascinating archive of unseen letters makes you see it differently: it was warmer, deeper and infinitely more complicated. Peter Guralnick – rock book royalty! - met Parker towards the end of his life and has just published ‘The Colonel And The King: Tom Parker, Elvis Presley and the Partnership That Rocked The World’. He talks to us here about separating the myth from reality which touches on …</p><p>&nbsp;</p><p>... overturning the conventional wisdom “that Elvis was the puppet, Sam Phillips the genius and Tom Parker the manipulator”.</p><p>&nbsp;</p><p>... how theirs was “a partnership of equals” – though Elvis was in charge, not the Colonel.</p><p>&nbsp;</p><p>… how Presley’s “security risk” – carrying guns and drugs across borders – was a factor in his refusal to accept world tour offers.</p><p>&nbsp;</p><p>… two men powerfully motivated by money – Elvis liked spending it, Parker liked losing it.</p><p>&nbsp;</p><p>… humour, charisma, intelligence, a force of nature: how Parker’s letters paint a different picture.</p><p>&nbsp;</p><p>… “he was an entirely self-invented man. And there was no-one more American – which was ironic as he was Dutch.”</p><p>&nbsp;</p><p>… the full story of the Elvis TV Christmas Special.</p><p>&nbsp;</p><p>… how Parker grossly undersold Presley’s catalogue rights to RCA in 1973 for $5.4m.</p><p>&nbsp;</p><p>… the Colonel’s Honesty game – “think of the number I’m thinking of and I’ll pay you if you’re right!”</p><p>&nbsp;</p><p>… how Parker tried to curb Presley’s “smutty humour” and sell his “James Dean enigma” to the film industry after Dean’s death in 1955.</p><p>&nbsp;</p><p>… how the only time he didn’t carefully manage an Elvis appearance was the Steve Allen Show hound dog debacle.</p><p>&nbsp;</p><p>… why Parker couldn’t control either his or Presley’s self-destructive habits.</p><p>&nbsp;</p><p>… his gambling addiction and a miserable 72-hour stint in a Vegas casino.</p><p>&nbsp;</p><p>… and would the first internationally-known artist’s manager have been as famous had he not called himself “the Colonel”?</p><p>&nbsp;</p><p><strong>Order ‘The Colonel And the King’ here: </strong><a href=\"https://www.hachettebookgroup.com/titles/peter-guralnick/the-colonel-and-the-king/9780316399449/?lens=little-brown\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.hachettebookgroup.com/titles/peter-guralnick/the-colonel-and-the-king/9780316399449/?lens=little-brown</a></p><p><br></p><p><strong>Find out more about how to help us to keep the conversation going: </strong><a href=\"https://www.patreon.com/wordinyourear\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.patreon.com/wordinyourear</a></p>","author_name":"Mark Ellen, David Hepworth and Alex Gold"}