Ana and Dan would not volunteer for a road trip across a ruined America, even if it involved Gen-X micro-targeted mid-90s nostalgia. We break down The Electric State, a film that raises big questions about AI labor and passive entertainment but then does nothing interesting or coherent with them. The most expensive film Netflix has ever made (no, seriously), yet everything looks like a student film shot in the mustard aisle. The Tuch Tuches it up! Giancarlo Esposito does chillingly casual menace! All in vain. There’s class war, robot angst, and echoes of Terminator, The Road, and that Fallout series I forgot to finish. There’s some IR in this episode, and a critique of capitalism that feels like a drone strike from above.
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