{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/649d548c2aaf1b001115f40f?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"0994 – The Diction-ary of Voice – P ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1640517727663-c9732320b1dc90956152d18c807b99bc.jpeg?height=200","description":"<p><strong><u>2023.09.21 – 0994 – The Diction-ary of Voice – P </u></strong></p><p><strong>&nbsp;</strong></p><p><strong>Polyp</strong> - usually unilateral (one vocal fold) mass that grows off the surface. Can be hemorrhagic (filled with blood) or not, and’s usually due to voice misuse or overuse.&nbsp;</p><p><strong>Pop </strong>– when a plosive sound is too close to the mic and causes distortion</p><p><strong>Pop guard</strong> (or ‘<strong>pop screen</strong>’, ‘<strong>pop shield</strong>’, ‘<strong>pop stopper</strong>’) - a fabric, foam or metal shield between the mic and the mouth to help disperse ‘breath blasts’ from plosives and so reduce the likelihood of distorted sound being recorded &nbsp;</p><p><strong>Post </strong>- the point at which a voice appears, or the start of a sound or part of a sound, for example, a specific drum beat in a ‘bed’: “<em>make sure you hit the post</em>”, that is, stop talking a beat before the drum comes in</p><p><strong>Post </strong>(‘<strong>post-production) </strong>- the final step in a recording process, including the editing, mixing. “<em>It’s OK, we’ll fix that in post”</em></p><p><strong>Predictive eye</strong> – the name given to the process of scanning ahead as you read to give prewarning of what's coming up</p><p><strong>Pre-produce</strong> - to mix or record a piece or interview in advance of a live show, perhaps for technical or timing reasons</p><p><strong>Producer </strong>- the producer can have more than one role (much like a director), but usually the one who hires the voice actor and other staff, and liaise with clients and agencies</p><p><strong>Production master</strong> – a final, ready audiobook</p><p><strong>Production studio </strong>– where programmes are recorded rather than go out live</p><p><strong>Production value </strong>– the ‘effort’ (including duration, complexity, and post-production) put into the making of an audio or video show. One lasting an hour with several guests, archive footage, and theme tunes would have ‘high production values’. A single presenter ‘read’ lasting just a few minutes is likely to have a ‘low production value’</p><p><strong>Pronunciation - </strong>a general term for the way a word is spoken (see: ‘enunciation’, ‘diction’)</p><p><strong>ProTools&nbsp;</strong>- the accepted professional standard for a DAW</p><p><strong>PSA </strong>- Public Service Announcement such as a government or charity appeal</p><p><strong>PTC </strong>– Piece To Camera: style of a video presenter, looking directly at ‘the viewer’ </p><p><strong>Punch</strong> – an energetic reading style </p><p><strong>Punch and roll</strong> - a form of ‘continuous editing’, where you scroll back and record from a convenient break, and then start re-recording where the mistake was made</p>","author_name":"Peter Stewart"}