{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/642410280cfcac0011f381e0?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"0908 – When You Simply Can’t Speak At All","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1640517727663-c9732320b1dc90956152d18c807b99bc.jpeg?height=200","description":"<p><strong>2023.06.27 – 0908 – When You Simply Can’t Speak At All</strong></p><p><br></p><p>The clinical name for hoarseness is ‘dysphonia’ and complete (or almost complete) voice loss is ‘aphonia’.</p><p>Often the symptoms are caused by infection, physical abnormality or disease, but emotional distress can also be at the root, when it is referred to as a ‘psychogenic’ voice disorder.</p><p>Extreme performance anxiety may include <em>paralysis: </em>freezing, fainting or losing the ability to talk at all.<a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[1]</a></p><p>In the singing world (where of course, artists perform in front of a living, breathing audience, unlike the solo studio presentations of most broadcasters and podcasters) some of the biggest names from&nbsp;Maria Callas&nbsp;to&nbsp;Vladimir Horowitz&nbsp;– have struggled to deal with performing under intense expectation. Then there’s Ella Fitzgerald, Paul McCartney, George Harrison, Barbra Streisand<a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[2]</a>, Adele<a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[3]</a>, Luciano Pavarotti, Arthur Rubinstein, actors Stephen Fry<a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[4]</a> and John Sim<a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[5]</a>, Sergei Rachmaninoff, Pyotr Tchaikovsky and Frederic Chopin who wrote: “<em>I am not fitted to give concerts. The audience intimidates me. I feel choked by its breath, paralysed by its curious glances</em>”.</p><p>&nbsp;</p><p>Note that a live performance is usually better than a pre-recorded one as performers are often at their best when there's a bit of tension. There’s a buzz an excitement, a scary thrill. Nerves can keep you alert and sharp at the mic, you need to harness that energy and heightened state of awareness to bring in your best personal performance. </p><p><br></p><p>  <a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[1]</a> More on this topic in Dianna Kenny’s book “<em>The Psychology of Music Performance Anxiety</em>” <a href=\"https://www.amazon.co.uk/Psychology-Music-Performance-Anxiety/dp/0199586144\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.amazon.co.uk/Psychology-Music-Performance-Anxiety/dp/0199586144</a> and Sarah Solovitch <em>“Playing Scared: A History and Memory of Stage Fright”</em></p><p><a href=\"https://www.amazon.co.uk/Playing-Scared-History-Memoir-Fright/dp/162040091X\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.amazon.co.uk/Playing-Scared-History-Memoir-Fright/dp/162040091X</a> </p><p><a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[2]</a> Barbra Streisand, the most successful solo female singer of all time, gave up live performance for 27 years after she&nbsp;forgot the words to a song&nbsp;in a concert in Central Park in 1967. She later claimed to have spent 2,700 hours in psychotherapy, at a cost of $360,000. </p><p><br></p>","author_name":"Peter Stewart"}