{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/63c6849f32debc00117f8400?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"850 – Vocal Trauma ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1640517727663-c9732320b1dc90956152d18c807b99bc.jpeg?height=200","description":"<p><strong>2023.04.30 – 0850 – Vocal Trauma&nbsp;</strong></p><p>&nbsp;</p><p>A secondary problem comes when you release that breath through the previously tightened folds. </p><p>&nbsp;</p><p>Added together you have the very real possibility of ‘vocal trauma’, serious damage to your folds.</p><p>&nbsp;</p><p>Think through the vocalisations that often come with the gym-strains of ‘glottal attack’ – using that pressure behind the larynx to give added strength through added tension.</p><p>&nbsp;</p><p>You have seen it (perhaps with weightlifters or tennis players), if not done it yourself, perhaps when you lift a heavy box, say. </p><p>&nbsp;</p><p>The noise that often precedes the breath-holding (something like “<em>erghh!</em>”) then the lifting up of the box, and then as you set it down, a release (“<em>arghhh</em>”!).</p><p>&nbsp;</p><p>Avoid potential vocal trauma by not vocalising these strains, or if you have to make them (especially the release-sound), make it softer, a ‘sshhh’ sound, rather than a sudden vocal “<em>argh!</em>”. Lots of relaxing moves after the strain of weightlifting will also reduce any necessarily-held tension. </p><p><strong>&nbsp;</strong></p><p>So, as a voice professional, with any kind of exercise be careful of this kind of grunting as it tenses and can damage your vocal folds.</p>","author_name":"Peter Stewart"}