{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/632c3a478a1ae500128f448d?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"0769 – Why African Elephants In Underpants May Be Hurting Your Voice  ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1640517727663-c9732320b1dc90956152d18c807b99bc.jpeg?height=200","description":"<p><strong>2023.02.08 – 0769 – Why African Elephants In Underpants May Be Hurting Your Voice &nbsp;</strong></p><p><br></p><p><strong>Vowels</strong></p><p>Say the following phrase aloud, word by word: “<em>African. Elephants. In. Our. Underpants</em>”.</p><p>&nbsp;</p><p>Each word begins with a vowel, A, E, I, O and U. And as we saw before, it’s these sounds that are made with a lot of potential pressure on the larynx. Say “<em>African</em>” again and you will feel that the initial sound is quite harsh (unlike, say “<em>European</em>” which is more of a gliding first sound), as the air that has for a split second been held back, now blasts past the vocal folds (‘pressed phonation’ or ‘hard onset’). The sense of holding back the air before these sounds is because of ‘sub-glottal pressure’, that is the pressure that is under (‘sub’) your vocal folds and it’s a small version of the extreme pressure that you use when you consciously close your vocal cords before you lift something heavy. Try it! </p><p>&nbsp;</p><p>‘Aspirate phonation’ (or ‘balanced onset’) sends more air through the vocal folds and is kinder to them such as making a ‘sigh’ sound, a breathy, throaty ‘hum’. Now, try putting a ‘silent-h’ sound at the start of each word in our phrase above, so that you glide into each initial vowel rather than ‘attacking’ it. Give it breath rather than pressure: “(h)<em>african. </em>(h)<em>elephants. </em>(h)i<em>n. </em>(h)<em>our. </em>(h)<em>underpants</em>”. Hear and feel how this is stopping your vocal folds slamming together. </p><p>&nbsp;</p><p>Now obviously we have looked at the extremes of the spectrum from hard, stabbing attack to an airy, breathy and light sound. You will need to find and practice a happy balance between air and muscle, to help reduce the pressure and potential damage to your folds.&nbsp;</p>","author_name":"Peter Stewart"}