{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/6318715e680fdf001209979b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"0737 – Political Voiceovers: Lead Ins and Pay Offs","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1640517727663-c9732320b1dc90956152d18c807b99bc.jpeg?height=200","description":"<p><strong>2023.01.07 – 0737 – Political Voiceovers: Lead Ins and Pay Offs</strong></p><p>Ads of either style often start with a question, another rhetorical device that gets the listener to ‘fill the vacuum’ with an answer:</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;“<em>Would you trust Tracey Garcia with <u>your</u> money?</em>” </p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;“<em>We gave this man the keys to the Governor’s House … do you know what he gave <u>us</u> in return?</em>”</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;“<em>Just why should you trust Camila Haufman…?</em>”</p><p><br></p><p>As we saw before, using a lead-in sentence may help you get into the right ‘tone zone’. That’s a short phrase that you say to yourself or aloud, before you start recording the script, that the first line can ‘react to’:</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;You think: “<em>You want to know how truthful I think they are? Well, let me ask you…”</em></p><p>o&nbsp;&nbsp;Then you record: “<em>Would you trust Tracey Garcia wi th <u>your</u> money?</em>” </p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;You think: <em>“Some people are going to give him a second term…”</em></p><p>o&nbsp;&nbsp;Then you record: ““<em>We gave this man the keys to the Governor’s House … do you know what he gave <u>us</u> in return?</em>”</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;You think: <em>“People say all politicians are the same, and that’s a very good point…”</em></p><p>o&nbsp;&nbsp;Then you record: ““<em>Just why should you trust Camila Haufman…?</em>”</p><p><br></p><p>And the style of these ads often dictates that they end with a pay-off tag-line:</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<em>“Vote for Zippy Verlezza”</em></p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<em>“The man you can trust”</em></p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<em>“The strong voice for our state</em>”</p><p>You really need to land these strong statements to give the ad a sense of finality, with a downward intonation to give certainty, rather than doubtful questioning.&nbsp;</p>","author_name":"Peter Stewart"}