{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/63186e37dc066f0012bb79d4?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"0723 – Reading Lists ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1640517727663-c9732320b1dc90956152d18c807b99bc.jpeg?height=200","description":"<p><strong>2022.12.24 – 0723 – Reading Lists </strong></p><p><strong><u>Lists (or ‘strings’) and credits</u></strong></p><p>Lists are boring so it is your job to make them sound less so. </p><p>&nbsp;</p><p>We’re talking about maybe a news story on the selling points of a showbiz star’s home that’s up for sale or a roll-call of credits at the end of an audio drama. You have to read the uninspiring script in an interesting way, rather than simply rattling it off.</p><p>&nbsp;</p><p><em>“It has eight bedrooms, six bathrooms, a heated garage and stables, a gym and home cinema, and an underground walkway to another separate home on the property.”</em></p><p>&nbsp;</p><p>In this situation you need to add variety and interest by using some of the various elements that we have looked at already:</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;alter the pitch slightly on each item. That’s not simply going up and then down a range but finding an almost random variety. “<em>Almost random</em>”? Yes, it would be daft to go from a high pitch to a low one for example. </p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;vary the rate and even a pause or two to help highlight some of the more unusual features.</p><p>&nbsp;</p><p>So, it could go “<em>eight bedrooms</em>” and the inflection upward on “<em>six</em>” and stay up in pitch on “<em>bathrooms</em>”. You’d want to lift “<em>heated</em>” as that is the unusual part about the garage and so too “<em>and stables</em>” expressing some surprise, then perhaps speed up through “<em>a gym and home cinema</em>” as these are perhaps to be expected in such a property, and then draw out the next “<em>and</em>”, followed by a slow and low reading of the final phrase because it is unusual. </p><p>&nbsp;</p><p>This subtle ‘mix-up of movement’ will help engage the listener’s interest, changing the copy enough to make it more dynamic and easier for the listener to understand. </p><p>&nbsp;</p><p>Many lists are short, often three items because of the accompanying satisfying rhythm (“<em>Life, liberty, and the pursuit of happiness”,</em> “<em>Friends, Romans, Countrymen</em>”, “<em>Faith, Hope, and Charity</em>”… itself a ‘list of three’!), so when you have such a string, the first item could be read in a ‘standard’ way, the second with an upward inflection (offering difference and a suggestion that there is more to come), followed by a slight pause and the third item with a downward inflection to show that the list has ended.</p>","author_name":"Peter Stewart"}