{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/6318662eebec18001209364e?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"0704 – Advertisements / Commercials","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1640517727663-c9732320b1dc90956152d18c807b99bc.jpeg?height=200","description":"<p><strong>2022.12.05 – 0704 – Advertisements<u> / Commercials</u></strong></p><p><strong><u>&nbsp;</u></strong></p><p><strong><u>Advertisements / Commercials</u></strong></p><p>Perhaps one of the main attributes of a radio, tv or movie commercial read is a voice with charismatic qualities. That is one that is trustworthy, interesting and ‘listenable’. </p><p><br></p><p>Even though the person behind the voice is rarely if ever seen, with a radio advert you have a lot of heavy lifting to do, whereas with the other, more visual mediums, your voice is in addition and often takes more of a back seat to what is being seen on the screen. And that also often affects the style of the script too: whereas radio has to use the voice to communicate almost all of the information (there may be music and sound effects too) and is therefore quite natural, a script for a TV or movie theatre spot fits around the other elements and so the vocal presentation is more staccato – words and phrases rather than full sentences.</p><p><br></p><p>Understand the old rhetorical devices to help you work out how to read advertising copy. After all, a commercial is trying to persuade you to do something – buy a product, click on a website, visit a location – in a way that politicians going back to the ancient Romans were also trying to persuade you to act or think a certain way. Devices such as:</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The rule of three – when three items are listed as attributes of the product or service.</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Opposites – Such as <em>“So, what would you rather? Keep paying for your car month after month, or buy it outright?”</em> Also, up and down, left and right, this or that </p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Repetition – <em>“We’re number one!” </em>sung three times in the<em> </em>Lays potato chip commercial<a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[1]</a> or <em>“So does Kraft”</em> <a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[2]</a></p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Climax – <em>“He was a boy, then a man, then a father….”</em></p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The basic story arc – The introduction, action, climax, conclusion, and call to action. </p><p><br></p><p>So, understand the structure of the copy. It’s all on the page, so be a self-direction detective. And think about this, a lot of these devices are used in children’s books and fairy tales so they are almost hard-wired into our brains.</p><p><br></p><p>  <a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[1]</a> The first commercial in this montage: <a href=\"https://www.youtube.com/watch?v=U1qDZ6aGQOg\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.youtube.com/watch?v=U1qDZ6aGQOg</a> </p><p><a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[2]</a> In the same montage from 6m 29s</p>","author_name":"Peter Stewart"}