{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/63186587567edd0012c708c8?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"0701 – Character Relationships In Audiobook Narration ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1640517727663-c9732320b1dc90956152d18c807b99bc.jpeg?height=200","description":"<p><strong>2022.12.02 – 0701 – Character Relationships In Audiobook Narration </strong></p><p><br></p><p>A further step may be to note the relationships between characters. As we have seen before we adapt our vocal style depending on who we are talking to: 30-year-old Sam will speak to their mother in a different way to their spouse, friends or child, so consider who is in each scene and who each person interacts with. Also, relationships change over time: part of the arc of the book may be that two friends fall out and make up, and in doing so how they speak to one another will reflect this.</p><p><br></p><p>Notate anywhere where a reading ‘style shift’ is required: “<em>Samah hung her legs into the cool water, leant back and raised her face to the sun…</em>” suggests a slower pace for example. More intense scenes might require a faster narration.</p>","author_name":"Peter Stewart"}