{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/631703258371070013553ddb?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"0684 – Voice Over Eye>Brain>Mouth Control","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1640517727663-c9732320b1dc90956152d18c807b99bc.jpeg?height=200","description":"<p><strong>2022.11.15 – 0684 – Voice Over Eye&gt;Brain&gt;Mouth Control</strong></p><p>&nbsp;</p><p><strong>Eye-Brain-Mouth Control</strong> – you have to be good at reading accurately, just sticking to the text. You will probably have skim-read the text before you start<a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[1]</a>, and in the studio, you need to be able to scan ahead as you read: more mistakes mean more editing time, leading to a disjointed read and less money-per-minute for your work.</p><p><br></p><p>  <a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[1]</a> You’re unlikely to have time to go through the book in advance, marking it up sentence -by-sentence.</p><p>&nbsp;</p>","author_name":"Peter Stewart"}