{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/6311bddfd8c6650013da327d?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"0662 – Characters in Cartoons, Animations and Gaming Acting","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1640517727663-c9732320b1dc90956152d18c807b99bc.jpeg?height=200","description":"<p><strong>2022.10.24 – 0662 – Characters in Cartoons, <u>Animations and Gaming Acting</u></strong></p><p><br></p><p><strong>Characters in Cartoons, <u>Animations and Gaming Acting</u></strong> </p><p>This is when the character you develop a voice for is heard but not seen in, for example:</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Cartoons</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Animations</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Anime</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Feature films</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Games</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Toys</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Robotics</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Puppetry</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Websites</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;eLearning …</p><p><br></p><p>In this section, we won’t be looking at actors in drama (such as BBC radio’s ‘continuing drama’ “<em>The Archers</em>” – the world’s longest-running soap<a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[1]</a>) or the increasing number of stories dramatized in podcasts, but instead, concentrate on the more ‘extreme’ characters in formats such as those listed above.</p><p><br></p><p>There’s an increasing number of outlets for character voices in animation and games, but it takes more than ‘putting on’ a funny voice or mimicking someone you know to be successful in this genre. That’s because you have to work with other elements which are often pre-decided before you’re even cast, let alone have your voice recorded; there’s little room for improvisation, you have to fit your voice with the script, the character of the role you’re playing and their interaction with the other roles.</p><p><br></p><p>But first and foremost, you need to find the right sound that embodies the character you’ve been asked to play, and then act out their story with your disembodied voice.</p><p>  <a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[1]</a> <a href=\"https://www.bbc.co.uk/programmes/b006qpgr\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.bbc.co.uk/programmes/b006qpgr</a> </p>","author_name":"Peter Stewart"}