{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/62af51fc47b0f20012c189b4?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"0628 – Voice Over Guide Tracks","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1640517727663-c9732320b1dc90956152d18c807b99bc.jpeg?height=200","description":"<p><strong>2022.09.20 - 0628 – Voice-Over Guide Tracks</strong></p><p><br></p><p><strong>G</strong>uide Track </p><p>&nbsp;</p><p>In some circumstances, a ‘dummy track’ of someone else reading the voice-over script may already have been recorded before you go into a studio.</p><p>&nbsp;</p><p>This is usually done on fast and tightly-edited video productions (think movie trails or promo videos) but may also be on audio creatives, again where there are lots of elements.</p><p>&nbsp;</p><p>It’s done so the editors can help shape the item in pre-production, sequencing the different clips together, with a clear idea of the overall pace, flow and timings after the final voice-over has been added. </p><p>&nbsp;</p><p>It’s also an audio guide for you alongside the visuals, so you can understand the intention behind the edit, and better know what you say and when:</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Where you start reading…</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;and where you stop</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The time you have for each phrase…<a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[1]</a></p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;before you need to hit a ‘post’<a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[2]</a></p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;What is happening on the screen at that moment so you can match the energy</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;What your voice is reacting to or leading to</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The overall pace and tone of the production… </p><p>&nbsp;</p><p>all of which will inform your read. </p><p>&nbsp;</p><p>As with talking over music, which we looked at before, your presentation style will be affected by the script, the visuals and the music or other audio elements.</p><p><br></p><p>  <a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[1]</a> Often with such productions, the script is simply a single sentence, or a collection of phrases, that’s broken up with the audio: “<em>Alone / in the middle of the ocean / where even the sharks are afraid / a row boat, with a man / a tiger / and trouble on the horizon</em>”. If you have, say, 4 seconds in which to deliver 2 seconds of script, the director will advise whether they want you a) slow down and fill that entire duration b) speak in the middle 2 seconds c) start immediately and leave 2 seconds’ gap at the end d) start after 2 seconds and talk to the start of the audio clip.</p><p><a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">[2]</a> Post: a stab of music, a change in musical tone, possibly even a drum beat or the start of vocals; any other audio punctuation such as a cry, gunshot, statement, exclamation. </p><p>&nbsp;</p>","author_name":"Peter Stewart"}