{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/62a89cd0a625b0001290f3ce?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"0604 – The Brief For A Voice-Over Recording","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1640517727663-c9732320b1dc90956152d18c807b99bc.jpeg?height=200","description":"<p><strong>2022.08.27– 0604 – The Brief For A Voice-Over Recording</strong></p><p><strong><u>The brief for a script recording</u></strong></p><p>A written brief, a short but clear sheet of directions, will help everyone involved in a recording session in several ways:</p><ul><li>You, the ‘voice’, will have set targets for issues such as the tone and pace, the target audience, the characterisation, giving you time to prepare.</li><li>Similarly, the director, producer and client all know the same information, so they are all approaching the recording with the same idea and expectation, avoiding mixed messages and hold ups for things like re-bookings, edits and rewrites.</li></ul><p><br></p><p>The wrong voice, or the<em> right</em> voice wrongly briefed or directed, can make or break a project.</p>","author_name":"Peter Stewart"}