{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/625fc45f2b9af40013ac46c5?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"0538 – Maddening Over-Modding","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1640517727663-c9732320b1dc90956152d18c807b99bc.jpeg?height=200","description":"<p><strong>2022.06.22 – 0538 – Maddening Over-Modding</strong></p><p><strong>&nbsp;</strong></p><p>On occasion it may be impossible to anticipate external noise and so be unable to use any of the techniques described above, and therefore over-modding may be the (almost) inevitable result. For example: at a sports event when a goal is scored (or at a presidential event when a political point is scored) and “<em>the crowd goes wild</em>”; at a carnival or parade when a marching band passes by; on a street with the unexpected siren of an emergency vehicle and so on. In such situations a deft reporter or studio engineer will simply have to ‘ride the faders’; and adjust the incoming audio levels ‘on the fly’ to avoid distortion in the live feed or recording.&nbsp;</p>","author_name":"Peter Stewart"}