{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/61cafafb514cfe0012b2a1b3?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"0419 – The Problem With Pauses","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1640517727663-c9732320b1dc90956152d18c807b99bc.jpeg?height=200","description":"<p><strong>2022.02.23 – 0419 – The Problem With Pauses</strong></p><p>&nbsp;</p><p><strong><u>PROBLEMS WITH PAUSES</u></strong></p><p>In commercial voiceovers, the pauses are often edited out to leave a ‘word-wall of sound’. I was once asked to record a daily podcast for an (in)famous media company. They loved my voice and presentation style, but had one request: could I please go back and edit out all of my breaths from the recording as “<em>people don’t want to hear them</em>”. Errr!</p><p><br></p><p>Removing breaths disrupts this natural rhythm and therefore interferes with our understanding of the content, but it’s done to cram more information into the time allowed.</p><p><br></p><p>Granted people don’t want to hear big gulps or suck-in breaths, but they are a normal part of speech that we hear, live, every day. And of course, we naturally take a breath in adlibbed speech certainly, where it makes sense in a thought block, and therefore that creates a pause which the listener considers natural.</p><p><br></p><p>And pauses are pertinent in an ‘ad read’ for reasons mentioned before: they can help draw attention to key words or phrases such as a feeling the product suggests, the name of the business, the strapline or special offer.</p><p><br></p><p>Alternatively, some radio and podcast presenters edit pauses into their show, to add suspense.</p>","author_name":"Peter Stewart"}