{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/61c85d767902bd0013eba921?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"0389 - How To Talk To Time","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1640517727663-c9732320b1dc90956152d18c807b99bc.jpeg?height=200","description":"<p><strong>2022.01.24 – S2024 – 0389 - How To <u>Talk To Time</u></strong></p><p><br></p><p>A sense of timing can be developed in the same way as an experienced driver can tell the speed of a car as it passes, or while they’re in it, and with experience you will be able to slightly adjust your reading rate ‘speedometer’ (or a ‘read-ometer’!) to say, shave a second or two <em>off </em>a script:</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Taking shorter breaths – or longer ones (that can be edited out) that will allow you take fewer breaths over the duration of the script</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Slightly increasing the intonation may give you the licence to speak slightly faster</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Contracting words and pauses – but be careful not to gabble.</p><p>&nbsp;</p><p>Making the words fit a longer duration is not always as simple as slowing down:</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Pauses can be a bit longer and micro-pauses can perhaps be added after key words or phrases.</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Words may be drawn out a little.</p><p>&nbsp;</p><p>But you can’t just read. Each. Word. Followed. By. A. Pause. You still have to have flow and maintain a meaning with what you’re reading.</p>","author_name":"Peter Stewart"}