{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fe36a71f3869269deaf79a5/6120dcaa0f27400012eac6ba?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"0254 – Inflection Definitions ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fe36a71f3869269deaf79a5/1629543538362-1213e676fcf803e8141baf9eef05c668.jpeg?height=200","description":"<p><strong><u>0254 – Inflection Definitions </u></strong></p><p><strong><u>INFLECTION AND INTONATION DEFINITIONS</u></strong></p><p>Definitions for words surrounding different parts of speaking are many, varied and often interchangeable. For clarity I shall use:</p><p><br></p><p><strong><u>Inflection</u></strong> – the overall sound of a language. Listen to someone speaking in a language that you do not understand and the overall rise and fall of their sound, its musicality, is the inflection. ‘Cadence’ or ‘prosody’ could be considered other words for ‘inflection’. </p><p><br></p><p>Inflection is the ‘sum of all the parts’ of all the elements in the various chapters here: the intonation of words and phrases + the projection + the tone + the pitch + the speed – all of which are nuanced in their own variety.</p><p><br></p><p>We all have slightly different inflections because of our upbringings and personalities but in general, yours will sound one way when talking to a toddler, and another when talking to your boss. It will sound one way when explaining something complicated and another when you are recounting a funny story.</p><p>&nbsp;</p><p>For instance, a <strong>rising inflection</strong> would be heard in a sentence with a question: “<em>Did you really just say that to him?!</em>” when the pitch gets increasingly lighter.</p><p><br></p><p>A <strong>falling inflection</strong> as you might suspect, shows finality: “<em>I did – and I’m not worried and I’m not worried one jot</em>”.</p><p><br></p><p>Some sentences include a rise and fall: “<em>But when she finds out about it – you could get fired</em>” – in which you start with a rise in tone through to “<em>about it</em>” (which suggests that neither the story nor the sentence is finished), and then a falling inflection through to the serious finality word “<em>fired</em>”. </p><p><br></p><p>A <strong>circumflex inflection</strong> is when there is a rise <em>and</em> a fall (or a fall and a rise) within a single word or even a vowel within a word. Think that sounds complicated? Well, actually we do it all the time. “<em>There’s absolutely no <u>wa-ay</u> you’re gonna get<u> away</u> with it!</em>” Yes, you could naturally just colour those two words either higher or lower, but in a tone of incredulity you’re more likely to bend each of them. (There’s more on this later in the chapter.)</p><p><br></p><p>Audio recording script and show notes (c) 2021 Peter Stewart</p><p>&nbsp;</p><p>Through these around-5-minute episodes, you can build your</p><p>confidence and competence with advice on breathing and reading, inflection and</p><p>projection, the roles played by better scripting and better sitting, mic</p><p>techniques and voice care tips... with exercises and anecdotes from a career</p><p>spent in TV and radio studios. If you're wondering about how to start a</p><p>podcast, or have had one for a while - download every episode!</p><p>&nbsp;</p><p>And as themes develop over the weeks (that is, they are not</p><p>random topics day-by-day), this is a free, course to help you GET A BETTER</p><p>BROADCAST, PODCAST AND VIDEO VOICE.</p><p>&nbsp;</p><p>Look out for more details of the book during 2021.</p><p>&nbsp;</p><p>Contacts: <a href=\"https://linktr.ee/Peter_Stewart\" rel=\"noopener noreferrer\" target=\"_blank\">https://linktr.ee/Peter_Stewart</a></p><p>&nbsp;</p><p>Peter has been around voice and audio all his working life and</p><p>has trained hundreds of broadcasters in all styles of radio from pop music</p><p>stations such as Capital FM and BBC Radio 1 to Heart FM, the classical music</p><p>station BBC Radio 3 and regional BBC stations. He’s trained news presenters on</p><p>regional TV, the BBC News Channel and on flagship programmes such as the BBC’s</p><p>Panorama. Other trainees have been music presenters, breakfast show hosts,</p><p>travel news presenters and voice-over artists.</p><p>&nbsp;</p><p>He has written a number of books on audio and video presentation</p><p>and production (“Essential Radio Journalism”, “JournoLists”, two editions of</p><p>“Essential Radio Skills” and three editions of “Broadcast Journalism”) and has</p><p>written on voice and presentation skills in the BBC’s in-house newspaper</p><p>“Ariel”.</p><p>&nbsp;</p><p>Peter has presented hundreds of radio shows (you may have heard</p><p>him on BBC Radio 2, BBC Radio 4, Virgin Radio or Kiss, as well as BBC regional</p><p>radio) with formats as diverse as music-presentation, interview shows,</p><p>‘special’ programmes for elections and budgets, live outside broadcasts and</p><p>commentaries and even the occasional sports, gardening and dedication</p><p>programmes. He has read several thousand news bulletins, and hosted nearly</p><p>2,000 podcast episodes, and is a vocal image consultant advising in all aspects</p><p>of voice and speech training for presenters on radio and TV, podcasts and</p><p>YouTube, voiceovers and videocalls.</p><p>&nbsp;</p><p>The podcast title refers to those who may wish to change their</p><p>speaking voice in some way. It is not a suggestion that anyone should, or be</p><p>pressured into needing to. We love accents and dialects, and are well aware</p><p>that how we speak changes over time. The key is: is your voice successfully</p><p>communicating your message, so it is being understood (and potentially being</p><p>acted upon) by your target audience?</p><p>&nbsp;</p><p>This podcast is London-based and examples are spoken in the RP</p><p>(Received Pronunciation) / standard-English / BBC English pronunciation,</p><p>although invariably applicable to other languages, accents and dialects.</p><p>&nbsp;</p><p>Music credits:</p><p>\"Bleeping Demo\" Kevin MacLeod (incompetech.com)</p><p>Licensed under Creative Commons: By Attribution 4.0 License</p><p>http://creativecommons.org/licenses/by/4.0/</p><p>Link: https://incompetech.filmmusic.io/song/7012-bleeping-demo</p><p>License: https://filmmusic.io/standard-license</p><p>&nbsp;</p><p>\"Beauty Flow\" Kevin MacLeod (incompetech.com)</p><p>Licensed under Creative Commons: By Attribution 4.0 License</p><p>http://creativecommons.org/licenses/by/4.0/</p><p>Link: https://incompetech.filmmusic.io/song/5025-beauty-flow</p><p>License: https://filmmusic.io/standard-license</p><p>&nbsp;</p><p>\"Envision\" Kevin MacLeod (incompetech.com)</p><p>Licensed under Creative Commons: By Attribution 4.0 License</p><p>http://creativecommons.org/licenses/by/4.0/</p><p>Link: https://incompetech.filmmusic.io/song/4706-envision</p><p>License: https://filmmusic.io/standard-license</p><p>&nbsp;</p><p>\"Limit 70\" Kevin MacLeod (incompetech.com)</p><p>Licensed under Creative Commons: By Attribution 4.0 License</p><p>http://creativecommons.org/licenses/by/4.0/</p><p>Link: https://incompetech.filmmusic.io/song/5710-limit-70</p><p>License: https://filmmusic.io/standard-license</p><p>&nbsp;</p><p>\"Rising Tide\" Kevin MacLeod (incompetech.com)</p><p>Licensed under Creative Commons: By Attribution 4.0 License</p><p>http://creativecommons.org/licenses/by/4.0/</p><p>Link: https://incompetech.filmmusic.io/song/5027-rising-tide</p><p>License: https://filmmusic.io/standard-license</p><p>&nbsp;</p><p>\"Wholesome\" Kevin MacLeod (incompetech.com)</p><p>Licensed under Creative Commons: By Attribution 4.0 License</p><p>http://creativecommons.org/licenses/by/4.0/</p><p>Link: https://incompetech.filmmusic.io/song/5050-wholesome</p><p>License: https://filmmusic.io/standard-license</p><p>&nbsp;</p><p><br></p>","author_name":"Peter Stewart"}