{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5fa591d5cedc7b2764b43750/65e0c049cedd730017950a85?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Wagner’s Epic Ring Cycle","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5fa591d5cedc7b2764b43750/1732100572692-665e5cc1-3d98-4544-a717-ef4f1f343d20.jpeg?height=200","description":"<p>Today we’re going deep in the music of Wagner - and specifically The Ring cycle, his collection of 4 monumental operas: <em>Das Rheingold</em>, <em>Die Walküre</em>, <em>Siegfrie</em>d, and <em>Götterdämmerung</em>&nbsp;</p><p><br></p><p>Even if you haven’t seen these live, you’re probably aware that these are absolute behemoths of the opera house - with heroism, love, death, gigantic orchestras and big tunes that need big voices. Bass Brindley Sherratt is tackling the role of Hagen in <em>Götterdämmerung,</em> and he explains how memory, text and costume are just some of the challenges he grapples with.</p><p><br></p><p>Wagner wrote some stunning brass parts, and trombonist Dave Whitehouse explains the novelty of playing the bass trumpet in <em>Götterdämmerung, </em>and violinist Fiona Higham explains how to crack the string player’s code when tackling Wagner’s music.&nbsp;</p><p><br></p><p>Plus, how lifting weights can be a great training programme for a 6 hour opera.</p><p><br></p><p>Produced by Tandem Productions for the London Philharmonic Orchestra.&nbsp;</p><p><br></p><p>#OffstagePod</p><p>X: @LPOrchestra</p><p>Instagram: @londonphilharmonicorchestra</p><p>Facebook: @londonphilharmonicorchestra</p>","author_name":"London Philharmonic Orchestra"}