{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5f66449b15900927b3b2cb06/61aa638e249354001496b45e?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Indigenous Women's Animation as Multimedia Art","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/undefined/1600537378558-f0f8e110cb023d87bb5e87b868ed4f56.jpeg?height=200","description":"<p>In this week's episode, guest Channette Romero discusses her article \"<a href=\"https://muse.jhu.edu/article/659891\" rel=\"noopener noreferrer\" target=\"_blank\">Toward an Indigenous Feminine Animation Aesthetic</a>,\" which analyzes the aesthetics and politics of animation shorts created by Indigenous women situated in North America. Romero argues that these women's innovative animation styles draw attention to the pervasive colonial gaze in mainstream animation and position Indigenous creatives as foremost multimedia artists.</p>","author_name":"Juan Llamas-Rodriguez"}