{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5f31d265e334e06383468f64/61e47ff6649de800129c2bc0?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"EP018 - Susan Te Kahurangi King - Part 1","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5f31d265e334e06383468f64/1642363760768-df1db8f0cf781d6476c4d7b94eba54ff.jpeg?height=200","description":"<p>“Looking at her works demands shifting levels of attention, as we scan them to register the pattern, then again to excavate embedded images.\"</p><p>Robert Leonard on Susan Te Kahurangi King - Vault Magazine - Issue 33 (February to April 2021)</p><p><br></p><p>Cover Image - Untitled, 20 x 13 cm, crayon on paper, c. 1958 - Image used with permission, © The Susan Te Kahurangi King Trust, all rights reserved.</p><p><br></p><p><br></p><p><strong>Reading List</strong></p><p><em>The Drawings of Susan Te Kahurangi King. </em>Institute of Contemporary Art, Miami. 2016. ISBN - 978-0-9972492-7-9</p><p><br></p><p><strong>Articles</strong></p><p><em>Susan King, Address Unknown. </em>Robert Leonard. Vault Magazine - Issue 33 (February to April 2021)</p><p><em>Explosive Drawings: Susan King's Mash-ups, Strange Landscapes, and Other Worlds. </em>Edward M. Gomez. Hyperallergic (2014)</p><p><em>The Joys and Terrors of an Outsider Artist. </em>Patrick Price. Hyperallergic (2017)</p><p><br></p><p><strong>Other Links</strong></p><p><em>Susan Te Kahurangi King. </em>Instagram Link - <a href=\"https://www.instagram.com/susantekahurangiking/\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.instagram.com/susantekahurangiking/</a></p><p><br></p><p><em>The Petita Cole Collection. </em>Instagram Link - <a href=\"https://www.instagram.com/thepetitacolecollection/\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.instagram.com/thepetitacolecollection/</a></p>","author_name":"Glen Real"}