{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5f28b333f956d87bb1ad6cbf/69980a1f4c238f5dca9c57c8?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"82: My Blueberry Nights with David Sims","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5f28b333f956d87bb1ad6cbf/1771571388283-91ffaace-5cba-4bca-b17d-80803109e8ed.jpeg?height=200","description":"<p>This week on <em>Podcast Like It’s the 2000s</em>, Phil and Emily wrap up their Valentine’s Day Wong Kar-wai miniseries with a deep dive into <em>My Blueberry Nights</em> (2007), joined by David Sims (<em>Blank Check</em>). They discuss Norah Jones’ debut performance, Jude Law’s rom-com era, the film’s Cannes premiere, its American road movie structure, and why this English-language detour feels so different from <em>In the Mood for Love</em> and <em>2046</em>.</p><p><br></p><p>Is it a misunderstood romantic trifle or Wong Kar-wai’s strangest experiment?</p><p><br></p><p><strong>Follow the show &amp; guests:</strong></p><p>Podcast Like It’s</p><p>Instagram: https://www.instagram.com/podcastlikeits</p><p>Phil Iscove</p><p>Instagram: https://www.instagram.com/pmiscove</p><p>Emily St. James</p><p>Instagram: https://www.instagram.com/emilystjams</p><p>David Sims</p><p>Instagram: https://www.instagram.com/davidlsims</p>","author_name":"Rebel Talk Network"}