{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5f28b333f956d87bb1ad6cbf/694a9c53e2b7985fa2958e16?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"74: Sky Captain and the World of Tomorrow with Emma Stefansky","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5f28b333f956d87bb1ad6cbf/1766496976268-7c7ca188-2ed1-49bf-8944-8a7e01940cd4.jpeg?height=200","description":"<p>Every year on Podcast Like It’s the 2000s, Phil and Emily pick one Chaos Pick a movie that doesn’t quite fit into any miniseries, but demands to be talked about anyway. This year’s selection is Sky Captain and the World of Tomorrow, the ambitious 2004 pulp-sci-fi experiment that looked like the future of filmmaking… and then quietly disappeared.</p><p><br></p><p>Joining the conversation is Emma Stefansky, here to passionately defend Kerry Conran’s retro-futurist spectacle starring Jude Law, Gwyneth Paltrow, and Angelina Jolie. The group digs into the film’s groundbreaking all-digital production, its sepia-toned visual language, and why it feels like a volume-stage movie years before volume stages became standard. They also explore how Sky Captain fits into a lineage of stylized adventure films like Dick Tracy and The Rocketeer, and why audiences often remember how the movie looked more than what actually happens in it.</p><p><br></p><p>Along the way, they discuss Roger Ebert’s glowing four-star review, the film’s middling box office and critical afterlife, the risks of resurrecting actors digitally, and whether Sky Captain is a misunderstood cult object or simply a fascinating near-miss. It’s a conversation about ambition, technology, and the strange movies that briefly convince us we’re looking at the future right before the future changes again.</p>","author_name":"Rebel Talk Network"}