{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"","title":"A brush with... Philippe Parreno","description":"

Philippe Parreno talks to Ben Luke in depth about his cultural experiences and influences. A master of exhibition-making, Parreno was born in 1964 in Oran, Algeria, but grew up Grenoble in France. Ever since he emerged in the 1990s, he has used the spaces he shows in and the immediate environment around them as an active presence in his work. Architectural elements in the gallery might be animated at certain moments, lighting might flicker according to scores we don’t see, screens might descend to show examples of Philippe’s diverse video works, at unexpected times. Often these actions are triggered by hidden environmental forces that Philippe harnesses as data to orchestrate his shows. He talks about his close network of collaborators, the group shows they put on early in their careers, his interest in science fiction, his new work about Francisco de Goya's Black Paintings, his aim to make a film about Mary Shelley's Frankenstein from the monster's point of view, and the unlikely experience of getting Angus Young from AC/DC to contribute to one of his works. Plus, he responds to the ultimate questions we ask on each podcast: if he could live with just one work of art, what would it be? And, what is art for? This episode is sponsored by Bloomberg Connects.


Links for this episode:


Philippe Parreno at Pilar Corrias


Danny/No More Reality at LUMA Arles


Jaron Lanier, computer scientist, composer, artist and author 


Dominique Gonzalez-Foerster, artist, at Esther Schipper


Gottfried Wilhelm Leibniz in the Stanford Encyclopaedia of Philosophy


Pier Paolo Pasolini biography on BFI website


Daniel Buren, artist


Peter Plagens on Michael Asher in Artforum in 1972 


Goya's Black Paintings in the Museo del Prado


Schatten/Le Montreur d'Ombres/Warning Shadows at IMDb


Fiona Sampson on Mary Shelley’s Frankenstein at 200


The Year Without a Summer on the In Our Time podcast


Adam Thirlwell at Granta, and his book Conversation: A Script with Philippe Parreno


Pierre Huygh, artist, at Marian Goodman Gallery


Danny the Street at DC Comics


Nathalie Heinich on Les Immatériaux, exhibition at the Centre Pompidou in 1985 in Tate Papers


Author Kenric MacDowell’s Pharmako-AI


Philippe Parreno’s Federico, initially made for the Lorca’s family home, the Huerta de San Vicente in Granada


Neal Stephenson, author


Marko Nikodijević, composer, at sikorski.de


Angus Young on Spotify


Dmitri Shostakovich, Fugue no24 in D Minor


Robert Filliou, artist, at Peter Freeman, Inc



","author_name":"The Art Newspaper"}