{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5f18aefdd0a1444492e069bb/603042405d5f8663f834f191?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Kohut","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5f18aefdd0a1444492e069bb/1613775382618-6b60fa60c1dbf5342c429654b0a1a880.jpeg?height=200","description":"<p>Heinz Kohut on narcissistic rage meets Erika Kohut in Elfried Jelinek’s <em>Die Klavierspielerin</em> and, in Michael Haneke’s <em>La Pianiste</em>, as interpreted by Isabelle Huppert. Jelinek’s inheritance of post-WWII Austrian language pessimism is examined as a narcissistic disorder symptomatized in the life and work of Walter Poppelreuter. Closer to home Ulrike Ottinger treated the&nbsp;symptom picture in her direction of Jelinek’s&nbsp;play <em>Begierde und Fahrerlaubnis</em>. Jelinek’s masterpiece <em>Kinder der Toten</em> was the reward of recovery from the narcissism of unmouring the mother tongue.</p><p>2021</p><p>&nbsp;</p><p>Author Laurence Rickels</p><p>&nbsp;</p><p>Sound engineer Jochen Jezzusek</p><p>&nbsp;</p><p>In VOICEOVER, film material is recommended for watching while listening to the lecture.</p><p>&nbsp;</p><p><em>La Pianiste</em> (2001) should be muted while viewing</p><p>&nbsp;</p><p><br></p>","author_name":"Laurence Rickels"}