{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5ed5cbde4245a326926b697a/5eec095b08084705aec62b12?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"3: Peter Lalor","description":"<p>Find us on Twitter <a href=\"https://twitter.com/TheWritersHour\" rel=\"noopener noreferrer\" target=\"_blank\">@TheWritersHour</a></p><p><br></p><p><a href=\"https://www.theaustralian.com.au/weekend-australian-magazine/how-tim-paine-the-accidental-captain-saved-australian-cricket/news-story/ef36e2a40e0ef616f35369a7d8c45a76\" rel=\"noopener noreferrer\" target=\"_blank\">Read Peter's feature story for <em>The Weekend Australian</em> on Tim Paine here</a></p><p><br></p><p>[0:25] Peter talks about wanting to cover the Covid-19 story, and adapting to the quiet</p><p>[1:55] Peter begins discussing his feature on Tim Paine (see link above)</p><p>\"I did the first interview on the Thursday thinking it wasn't due for two weeks, rang the editor and she said, 'Well you better hurry up – I need it by Wednesday'. So I pedaled very fast. No story has caused me that much stress for as long as I can remember.\"</p><p>[5:10] Pete on the differences when writing for different audiences</p><p>[8:20] Pete on the use of Sally Paine's anecdote as his lede</p><p>\"That is an outstanding moment, and it's a moment that only two people witness and experience, so nobody else ever knows … and it sets up so many things.\"</p><p>[11:10] Pete on managing relationships with cricketers</p><p>[15:35] Pete on collecting details along the way, and being <em>in</em> the story</p><p>\"You're privileged to see things and, like a bowerbird, you put them away and they give your pieces some credibility. You use them wisely; if you labour those points about being an eyewitness it becomes tedious. You only use them when they add to the story. It's not about placing you in the story – it's placing the reader in the story.\"</p><p>[22:20] Pete on working out who to interview for a feature piece and why, and writing for deadlines</p><p>[29:15] Pete discusses writing about place</p><p>[32:50] Pete talks about humanising the subject, writing descriptions, and showing up</p><p>[37:20] Pete on having some license to bring creativity into his news writing</p><p>\"When I just started … writing a match report was to tell people what the scores were. Now everybody knows the scores instantly, everybody's seen it – you've got to bring something else. So you do get to write a little bit more, or bring some other skills to it.\"</p><p>[45:35] Pete on his journalism background</p><p>[50:40] Pete talks about writing the Phillip Hughes biography with Malcolm Knox</p><p>[55:45] Pete on writing features in comparison with writing books, and the issue of story length</p><p>[1:00:40] Pete on specialising within journalism, and the media outlook for young journalists&nbsp;</p><p>\"I've actively worked to stay on the road … I hate office jobs. I never want to be an editor; editors have to deal with journalists, and journalists are the worst people on earth.\"</p><p><br></p><p><br></p>","author_name":"Black Lab Podcasts"}