This week we explore the life and work of the master of the 19th-century short story, Guy de Maupassant, in the company of his recent biographer Christopher Lloyd, who’s emeritus professor of French at Durham. (The TLS called Chris's book ‘a crisp, witty, balanced and well-informed guide.’)
Depending on your age and background, you might have read some Maupassant at school, or maybe encountered him on a literature survey course at university. He’s much anthologized. But that has proved to be a mixed blessing. The same pieces crop up again and again, representing just a tiny fraction of his 300 short stories. In France, by some estimates, he is the best-selling classic author, thanks to continuing educational sales. So his name is well known. Many people feel they know him, without really knowing him.
As Christopher Lloyd’s book shows, most of us have barely glimpsed the full extent of Maupassant’s writing, which includes half a dozen novels as well as the short fiction, and a wide range of themes which one French edition meticulously catalogued. It included ‘devil’, ‘divorce’, ‘double’, ‘duel’, ‘strangling’, ‘fantastic’, ‘madness’, ‘drunkenness’… which maybe already gives some insight into the often dark and dangerous world Maupassant’s characters inhabit.
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