{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5e8b7140498811c656eb58dd/660e551facbcaf001755957f?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Secret World of Scriptwriting. Elevate Your Scriptwriting Game with Mike Cheda","description":"<p><em>Movies used to be good, and now they are kind of shitty</em>.</p><p><br></p><p>After taking a film class almost by chance, Mike Cheda spent years honing his craft as a scriptwriter and executive producer at HBO and the Walt Disney Studios before feeling he \"aged out\" of being a working screenwriter and becoming a Professional Script Consultant. He is best known for co-authoring 1999's <em>Chill Factor </em>with Cuba Gooding, Jr. and Skeet Ulrich. As a developer and producer, he worked on <em>The Opposite Sex, Next of Kin, Why Shoot the Teacher, and Shape of Things To Come. </em>For TV, he produced and developed <em>Wheels of Terror, Pair of Aces, Angel of Death, Another Pair of Aces, and Christmas in Connecticut, </em>to name just a few.&nbsp;</p><p><br></p><p>In this episode, Mike talks about the side of scriptwriting that is secret or hidden from most of us. He shares bits of his hard-earned knowledge in the space, from how to create a seducing logline to what to add or cut out in a screenplay before taking it to an agent. He also explains movies' three-act structure, how to create a solid elevator pitch, the best way to attract the right eyeballs to our script, and much more.</p><p><br></p><p>Tune in to Episode 101 of Hollywood Dream Maker to learn some of Mike's tricks for improving your scripts and bringing them up to professional standards.</p><p><br></p><p><strong>In This Episode, You Will Learn:</strong></p><ul><li>About how Mike got into movies and scriptwriting (2:20)</li><li>Mike explains movies' three-act structure (8:40)</li><li>Is it necessary to register and protect our written material? (18:50)</li><li>How important is it to get feedback for the evolution of a screenplay? (27:00)</li><li>How to create a seductive logline (32:10)</li><li>What is the best way to get our script read (41:00)</li><li>Polishing scripts to avoid burning bridges (49:50)</li></ul><p><br></p><p><strong>Resources Mentioned:</strong></p><ul><li>Book: Blake Snyder - <a href=\"https://www.amazon.com/Save-Cat-Last-Screenwriting-Youll-ebook/dp/B00340ESIS/\" rel=\"noopener noreferrer\" target=\"_blank\">Save the Cat: The Last Book on Screenwriting You'll Ever Need</a></li><li>Book: Syd Field - <a href=\"https://www.amazon.com/Screenplay-Foundations-Screenwriting-Syd-Field/dp/0385339038/ref=sr_1_1?crid=3UVM2LK7JT3JR&amp;dib=eyJ2IjoiMSJ9.WvbgaV7AFBei0d8wKek1E8IBmKFpziZBPSBkrH9a2Av1I6pTdU8hIMV8Y7rrI1ryzR5S1zhA8HmlkzQ9WYsKCdWqPPEiLAiOwYAN_xgs7E0t9nTiVh4FvHHeLust8wz3O0K1XF0jzxu6_uu87HHDpoeCpzuaMiU4kn09Sq2D6-Xshs4DqfSOLyLj22i_8h0R24ghUrlKSq1fzfGCG1d37NB9EGtClswTHrHaMVfnaoc.blNqu0yBWV_aL47fKf0N11ApyQ4vzfdiNVQwYCJLJJ4&amp;dib_tag=se&amp;keywords=writing+the+screenplay&amp;qid=1712079465&amp;sprefix=writing+the+screenplay%2Caps%2C189&amp;sr=8-1\" rel=\"noopener noreferrer\" target=\"_blank\">Screenplay: The Foundations of Screenwriting</a></li></ul><p><br></p><p><strong>Connect with Mike Cheda:</strong></p><ul><li><a href=\"http://www.mikecheda.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Website</a></li><li><a href=\"https://www.imdb.com/name/nm0002461/\" rel=\"noopener noreferrer\" target=\"_blank\">IMDb</a></li></ul><p><br></p><p><strong>Let's Connect:</strong></p><ul><li><a href=\"https://manhattanactorstudio.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Manhattan Actor Studio</a></li><li><a href=\"https://www.youtube.com/channel/UCwuUwuqr7-xzTOSv8j7Ja0A/featured\" rel=\"noopener noreferrer\" target=\"_blank\">Inside the Manhattan Actor Studio on YouTube</a></li><li><a href=\"https://billygallo.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Website</a></li></ul>","author_name":"Billy Gallo"}