{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5e826771e275cb5a5fb57914/5ea82e7430c2c7ea59d66155?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Fred Sherry - Cellist","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5e826771e275cb5a5fb57914/1588080222059-9b0faa471ac4c5fa1aaa7640f4bb4756.jpeg?height=200","description":"<p>This episode opens with Schoenberg’s String Quartet No. 3 Op 30 performed by the <a href=\"https://www.fredsherry.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Fred Sherry String Quartet.</a>&nbsp;&nbsp;Why that piece?&nbsp;For me – it reflects the anxiety of this 'coronafied' moment and a fevered hope for change.&nbsp;</p><p>About Fred Sherry -- Allan Kozinn – music critic for the <em>NY Times&nbsp;</em>-- wrote – “Few musicians have been as devoted to new and difficult music as he has, both as a soloist and through his involvement with ensembles like the Tashi Quartet, Speculum Musicae and the Chamber Music Society of Lincoln Center. But this man is so much more. I knew going into this conversation with Fred Sherry that there would be a problem in having a brief conversation.&nbsp;This man’s experiences are so deep and creatively varied and influential over many decades – that finding a focus would be difficult. And I was right.&nbsp;So – maybe we can see this as the start of a conversation with this most talented and creative musician.</p>","author_name":"Alan Winson"}