{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5e7cdc72b97e6e8864816e86/6a575c8092be37cb7b7a0d9c?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"ALBION: CLOSING TIME ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5e7cdc72b97e6e8864816e86/1784109595623-1a2b6456-1123-4b8e-9a61-3996087d6260.jpeg?height=200","description":"<p>Three years. 80 workshops. One thousand speeches. One pub.</p><p><br></p><p>As <em>Our Public House</em> takes its final bow, so too does Albion; our long exploration of who we are as a country, and who we might yet become.</p><p><br></p><p>In this closing episode, Josephine reflects on the whole journey: from a tent in a field at Latitude Festival in 2019 to stages across England, from the first hesitant speeches in community halls and prison workshops to songs performed live every night on stage by a cast who made those words their own.</p><p><br></p><p>She's joined by composer Jonathan Walton, who talks about the extraordinary challenge of finding music inside real people's words and what it means to turn a speech written in a working men's club or a prison into a song that stops an audience in its tracks.</p><p><br></p><p>And together with several of the speech-makers and audiences, they ask: what does it mean to have been heard? What have we learned about the country we live in? And what happens next?</p><p><br></p><p>Find out more on the Dash Arts website: dasharts.org.uk/our-public-house</p><p><br></p><p>Our intro music is Fakiiritanssi by Marouf Majidi. You'll also hear extracts of <em>I Dream Of A Bin</em> and <em>Woman Like Me</em> by Jonathan Walton, arranged by Yaniv Fridel.</p><p><br></p><p><em>Our Public House</em> was written by Barney Norris. Created and directed by Josephine Burton.</p><p><br></p><p><br></p>","author_name":"Dash Arts"}