{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5e7cdc72b97e6e8864816e86/67c81945ece4993ac708a0c8?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"At Loggerheads with Reality","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5e7cdc72b97e6e8864816e86/1741168401756-d12f4cb8-bc1d-4e92-b3c6-1ab9c18606a8.jpeg?height=200","description":"<p><em>What does it mean to be at loggerheads with reality?</em></p><p><br></p><p>\"If a person who is at loggerheads with reality possesses an artistic gift... he can transform his phantasies into artistic creations instead of symptoms.\"</p><p>— Sigmund Freud, <em>Five Lectures on Psycho-Analysis</em> (1910)</p><p><br></p><p>In this episode of the <em>Dash Arts Podcast</em>, Artistic Director <strong>Josephine Burton</strong> dives into two powerful exhibitions that challenge how we understand women, art, and mental health:</p><p>🖼 <strong>Women &amp; Freud: Patients, Pioneers, Artists</strong> – curated by <strong>Lisa Appignanesi and Bryony Davies</strong></p><p>🎨 <strong>Charlotte Johnson Wahl: <em>What It Felt Like</em></strong> – at <strong>Bethlem Museum of the Mind</strong></p><p>Both exhibitions showcase art that reframes women’s stories and reclaims narratives of mental wellbeing.</p><p>Josephine is joined by writer and long-term Dash Arts collaborator <strong>Hattie Naylor</strong> to discuss these themes in the context of their latest project, <em>The Degenerates</em>—a new production that will explore the overlooked female artists of <strong>Dr. Hans Prinzhorn’s</strong> groundbreaking collection.</p><p>From 1919 to 1922, Prinzhorn gathered extraordinary artworks from psychiatric patients across Europe, publishing <em>The Artistry of the Mentally Ill</em>—a book that profoundly influenced 20th-century art. But while his collection celebrated creativity beyond the bounds of convention, many female artists were left out of the story. <em>The Degenerates</em> seeks to set the record straight.</p><p>Listen as we uncover hidden histories, challenge perceptions, and explore the intersection of art, mental health, and power.</p><p><br></p><p>See pictures from the two exhibitions on the Dash Arts podcast page. And you can follow our research towards The Degenerates on the Dash Arts blog: <a href=\"https://www.dasharts.org.uk/blog/our-artistic-director-on-research-for-a-new-dash-production\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.dasharts.org.uk/blog/our-artistic-director-on-research-for-a-new-dash-production</a>&nbsp;</p><p>In this episode we hear from:</p><p>Josephine Burton - Artistic Director of Dash Arts</p><p>Hattie Naylor - Writer &amp; Visual Artist</p><p>Lisa Appignanesi - Writer and Curator&nbsp;</p><p>Colin Gale - Director of Bethlam Museum of the Mind</p><p>Rebecca Raybone - Collections and Exhibitions Officer Bethlam Museum of the Mind</p><p>Marie Horner - Podcast Producer of Dash Arts</p><p><br></p>","author_name":"Dash Arts"}