{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5e29a2ef7644ff6b3f984cff/633f12b66368cd00126fde71?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Multimillion Old Master upgrades; Monet and Joan Mitchell; Tudors in New York","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5e29a2ef7644ff6b3f984cff/1585848030226-113ccccbb9d66f1ef27e6bceea69db5f.jpeg?height=200","description":"<p>This week: Georgina Adam joins Ben Luke to discuss the intriguing story of the bankrupt entrepreneur and art collector, the museum scholar and a host of Old Master paintings given new attributions. We talk to Suzanne Pagé, the curator of Monet-Mitchell, an exhibition bringing together the Impressionist Claude Monet and the post-war American abstract painter Joan Mitchell, at the Fondation Louis Vuitton in Paris. And this episode’s Work of the Week is a 1583 painting of Elizabeth I of England, known as the Sieve Portrait, which is one of the highlights of the Metropolitan Museum of Art in New York’s exhibition The Tudors: Art and Majesty in Renaissance England. The show’s curators, Elizabeth Cleland and Adam Eaker, tell us about this richly layered picture.</p><p><br></p><p>Monet-Mitchell, Joan Mitchell retrospective, Fondation Louis Vuitton, Paris, until 27 February 2023. Joan Mitchell: Paintings, 1979-85, David Zwirner, New York, 3 November-17 December.</p><p><br></p><p>The Tudors: Art and Majesty in Renaissance England, Metropolitan Museum of Art, New York, 10 October-8 January 2023</p>","author_name":"The Art Newspaper"}