{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5e29a2ef7644ff6b3f984cff/60d4dafcf16d62001ab422ca?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Activists protest Shell museum sponsorship. Plus, artists Michael Landy and Shahzia Sikander","description":"<p>This week: should the Science Museum in London stop taking money from the oil company Shell? We talk to a student activist, Anya Nanning Ramamurthy of the UK Student Climate Network, who held a protest at the Science Museum over the weekend of 19 and 20 June, and Chris Garrard, co-director of the ethical sponsorship campaigners Culture Unstained, about fossil-fuel sponsorship and the increasing pressure on the museum. Louisa Buck talks to the British artist Michael Landy about his exhibition <em>Michael Landy's Welcome to Essex</em> at Firstsite in Colchester in the southeastern English county of Essex. And in this week’s Work of the Week, Pakistani American artist Shahzia Sikander, who has a new exhibition at the Morgan Library and Museum in New York, talks to Helen Stoilas, our editor in the Americas, about <em>Kṛṣṇa and Rādhā beneath a flowering tree</em>, a manuscript miniature in the Indian Nathadvara style, painted between 1825 and 1850, which is in the Morgan’s collection. Sikander discusses the way she has brought a contemporary perspective on this work and the broader tradition of manuscript painting in South and Central Asia in her own practice.</p>","author_name":"The Art Newspaper"}