{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5e29a2ef7644ff6b3f984cff/5f1a8e447d2bce73efb8aedf?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"What will culture be like in the next decade?","description":"<p>We explore the <strong>Serpentine Galleries’</strong> new report into Future Art Ecosystems: with existing art industry models under threat, can new ones emerge in the post-coronavirus era? We talk to <strong>Ben Vickers</strong>, the Serpentine Galleries’ chief technology officer, about art and advanced technologies. As his BBC radio series <strong>Great Gallery Tours</strong> continues, we hear from a <strong>Simon Schama</strong>, who is marooned in Trump’s America yet yearns for a sunlit morning on the Thames in London: his choice for our Work of the Week is <strong>J.M.W. Turner</strong>’s <em>Mortlake Terrace: Early Summer Morning </em>in the Frick in New York. And as unemployment in the US surges past Great Depression-era levels, we look at a historic cultural programme that may have pointers for this moment: the <strong>Comprehensive Employment and Training Act</strong>&nbsp;or <strong>CETA</strong>, a response to the economic crisis of the 1970s.</p><p><br></p><p>Links:</p><p><br></p><p>The Art Newspaper: theartnewspaper.com</p><p><br></p><p>The Serpentine Galleries' Future Art Ecosystems report: https://www.serpentinegalleries.org/whats-on/future-art-ecosystems/</p><p><br></p><p>Simon Schama's BBC radio series Great Gallery Tours: https://www.bbc.co.uk/programmes/m000kw4t</p><p><br></p><p>Turner's <em>Mortlake Terrace: Early Summer Morning</em>: https://collections.frick.org/objects/267/mortlake-terrace-early-summer-morning</p><p><br></p><p>CETA: ceta-arts.com</p>","author_name":"The Art Newspaper"}