This week, we have an exclusive interview with Marina Abramovic: what's the future of performance in the post-pandemic art world? Also, as the lockdown steadily eases in Germany, we ask Catherine Hickley, The Art Newspaper's correspondent in Berlin, how it feels to step foot in a museum again. And in the latest in our Lonely Works series, the painter Ian Davenport tells us why he’s made a new body of work inspired by Pierre Bonnard’s Nude in the Bath (1936).
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