{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/5ca4a75d29388cc466cf4481/6079ceb74ca26f19ed461cb9?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Jeffrey Swann: Pearly Sounds from the Ivories","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/5ca4a75d29388cc466cf4481/1618594941472-5fba27fd2f1163a3dbbefce320263fa8.jpeg?height=200","description":"<p>Concert violinist Rolf Schulte describes pianist, Jeffrey Swann,  as a polymath, speaker of several languages, and a magnificent musician.&nbsp;Mr. Swann has won several prestigious piano competitions – including the<em> Queen Elizabeth Piano Competition</em> in Brussels as a young man and then the <em>Ciani Competition </em>in Italy and a prize at the <em>Chopin Competition</em> in Warsaw. The last few years he has run a music festival and teaches at a conservatory in Italy.&nbsp;</p><p>Early in his career Mr Swann was also a composer and studied with Darius Milhaud.  He has lectured on Wagner at the <em>Bayreuth&nbsp;Festival</em>.&nbsp;Presently, he teaches at <a href=\"https://steinhardt.nyu.edu/people/jeffrey-swann\" rel=\"noopener noreferrer\" target=\"_blank\">NYU Steinhardt School of Music.</a></p><p>&nbsp;A recording with Rolf Schulte and Jeffrey Swann performing Igor Stravinsky’s violin music recorded for the radio in Cologne, West Germany in 1979 is coming out any day now.&nbsp;</p><p>After the recording I asked Jeffrey about his thoughts on the future of classic concerts post-COVID19,  Here is his response:</p><blockquote>It is truly hard to predict how the Covid interruption will effect concert life.&nbsp;Classical music was already in great difficulties even before, actually for at least 30 or 40 years, it has been in a state of declining and older audience bases.&nbsp;So the effect may be positive in that t will bring about radical change from the top.&nbsp;Or it might simply kill the business for good.&nbsp;I refuse to believe that, since I believe in our musical heritage and its value and validity.&nbsp;But the entire model needs to change--but not simply by means of catchy clichés like \"diversity\".</blockquote><p><br></p><p>NOTES BY Alan Winson</p><p><br></p>","author_name":"Alan Winson & Rebecca McKean"}