{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/4ef86a85-3632-57a4-866d-cba5c6f5fecb/643bf4ec309d10001118d749?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"#70 (Pt 4): 17.4.86 – The Rishi Sunak Of TOTP","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/614d8958772a0613fb6158dc/1681650963483-e162bf1515161f5598a995865772099d.jpeg?height=200","description":"<p><strong>Neil Kulkarni</strong>,&nbsp;<strong>Sarah Bee&nbsp;</strong>and&nbsp;<strong>Al Needham&nbsp;</strong>finally claw their way up the final furlong on an episode of TOTP that’s been better than any episode set in 1986 has a right to be. Neil issues a come-and-get-me statement to Janet Jackson, It’s Immaterial look knackered and bemused on the big new set, George Michael delivers the weirdest Number One of the entire decade, and then the&nbsp;<em>real</em>&nbsp;’86 presents itself as Whitney Houston fills the Harlem Apollo with a concentrated blast of mawk. ALL YOU GOTTA DO IS BE YOURSELF, POP-CRAZED YOUNGSTERS…&nbsp;</p><p><br></p><p><a href=\"https://bit.ly/CM70vids\" rel=\"noopener noreferrer\" target=\"_blank\">Video Playlist&nbsp;</a>|&nbsp;<a href=\"http://chartmusic.libsyn.com/rss\" rel=\"noopener noreferrer\" target=\"_blank\">Subscribe</a>&nbsp;|&nbsp;<a href=\"https://www.facebook.com/ChartMusicPodcast/\" rel=\"noopener noreferrer\" target=\"_blank\">Facebook</a>&nbsp;|&nbsp;<a href=\"https://twitter.com/ChartMusicTOTP\" rel=\"noopener noreferrer\" target=\"_blank\">Twitter</a>&nbsp;|&nbsp;<a href=\"https://docs.google.com/document/d/17nHuE5PtP4OaYbq76yT0B00ZZ5hv3ismr-26idmmKo0/edit\" rel=\"noopener noreferrer\" target=\"_blank\">The Chart Music Wiki</a>&nbsp;|&nbsp;<a href=\"https://www.patreon.com/chartmusic\" rel=\"noopener noreferrer\" target=\"_blank\">Patreon</a></p><p>&nbsp;</p>","author_name":"Chart Music"}