{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/4d641cbd-af7c-4475-81e8-c6a118bde4ee/30a684ee-bd9f-4a8c-a77f-daf57ee52812?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Economist Asks: Greta Gerwig","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/62e286a934d4d9db97874249/62e286c27ca7a10012e4455c.jpg?height=200","description":"<p>Every generation has its own “Little Women”. Anne McElvoy asks Greta Gerwig, the Oscar-nominated writer and director of “Lady Bird”, about how she reinvented the classic story of Jo, Amy, Meg and Beth March for a new audience. They talk about her move to behind the camera, rescuing her characters from stereotypes and the economics of being a woman artist then and now. Also, how does Barbie, the subject of her next film, fare in the age of #MeToo?&nbsp;</p><p><br></p><p>Please subscribe to The Economist for full access to print, digital and audio editions:</p><p><a href=\"http://www.economist.com/radiooffer\" rel=\"noopener noreferrer\" target=\"_blank\">www.economist.com/radiooffer</a></p><p><br></p>","author_name":"The Economist"}