Synchronized, scientific, ornamental, fancy, pretty: so many adjectives have been attached over the years to performative swimming, especially when done by women. Now known at the highest level as “artistic swimming,” it was for decades one of the few athletic activities women could pursue, albeit in uncomfortable, baggy, and not exactly aerodynamic attire. Despite—or perhaps because of—its popularity, synchronized swimming's status as a legitimate, elite sport would be contested for just as long—until 1984, in fact, when it finally debuted at the Los Angeles Olympics in all its sparkly glory. In her new book, Swimming Pretty, Scholar contributor Vicki Valosik dives into “the untold story of women in water,” from Victorian starlets like Lurline the Water Queen to Annette Kellerman, the godmother of synchronized swimming and the woman we can all thank for not having to wear petticoats in the water.
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