{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/4ca34052-7209-4d0b-ba7f-8380dea2dc89/62e2f5adb27b7b0012cbc46d?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"#241: The Original Influencer","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61004fe4a4d9fae972ef6d30/1659039679399-d1cab7ceaee77086b9b40c5a8bec4af9.jpeg?height=200","description":"<p>Picture the first “It Girl,” and you’re likely to imagine young, fun Clara Bow, sex symbol of the Roaring ’20s. But behind the frame is the woman who wrote <em>It</em>: Elinor Glyn, an English-gentlewoman-turned-Hollywood-screenwriter whose romantic novels inspired so much of the era’s glamorous aesthetic. Hilary Hallett, a professor of history at Columbia University, brings Glyn back into the spotlight in her new biography, <em>Inventing the It Girl</em>. Glyn’s story, like that of so many of her heroines—and unlike her contemporaries—begins after her marriage in 1892 to a spendthrift noble with a gambling problem. The blockbuster success of her scandalous 1907 sex novel, <em>Three Weeks,</em> catapulted her to literary stardom and, as it so often does, to Hollywood, where she worked on dozens of films and styled silent-era superstars like Rudolph Valentino and Gloria Swanson. Hallett joins the podcast to discuss how Glyn paved the way for a century of sexual, romantic, and psychological independence.</p><p><br></p><p><strong>Go beyond the episode:</strong></p><ul><li>Hilary Hallett’s <a href=\"https://bookshop.org/books/inventing-the-it-girl-how-elinor-glyn-created-the-modern-romance-and-conquered-early-hollywood/9781631490699\" rel=\"noopener noreferrer\" target=\"_blank\"><em>Inventing the It Girl: How Elinor Glyn Created the Modern Romance and Conquered Early Hollywood</em></a></li><li><a href=\"https://www.dailymotion.com/video/x20x49u\" rel=\"noopener noreferrer\" target=\"_blank\">Watch <em>It</em></a><em>, </em>the “Elinor Glyn–Clarence Badger Production” that made Clara Bow a star in 1927</li><li>Meet more neglected Hollywood women: <a href=\"https://wfpp.columbia.edu/pioneer/ccp-dorothy-arzner/\" rel=\"noopener noreferrer\" target=\"_blank\">Dorothy Arzner</a> remains the most prolific woman studio director in the history of cinema; start with <a href=\"https://www.independent.co.uk/arts-entertainment/films/features/dorothy-arzner-merrily-we-go-to-hell-b1863258.html\" rel=\"noopener noreferrer\" target=\"_blank\"><em>Merrily We Go to Hell</em></a><em> </em>from 1932</li><li>Jean Smart will play a mostly accurate version of Elinor Glyn in Damien Chazelle’s upcoming film <a href=\"https://variety.com/2022/film/news/damien-chazelle-babylon-trailer-cinemacon-1235237839/\" rel=\"noopener noreferrer\" target=\"_blank\"><em>Babylon</em></a>, about the decadence of the Roaring ’20s</li><li>Visit our episode page for more photographs of Glyn, including her <a href=\"https://theamericanscholar.org/the-original-influencer/\" rel=\"noopener noreferrer\" target=\"_blank\">scintillating turn as the Tiger Queen</a></li></ul><p><br></p><p>Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.</p><p><br></p><p>Subscribe:&nbsp;<a href=\"http://itun.es/us/XPR6cb.c\" rel=\"noopener noreferrer\" target=\"_blank\">iTunes</a>&nbsp;•&nbsp;<a href=\"http://www.stitcher.com/s?fid=92290&amp;refid=stpr\" rel=\"noopener noreferrer\" target=\"_blank\">Stitcher</a>&nbsp;•&nbsp;<a href=\"https://play.google.com/music/m/Iyowbdfmirqgn33nmdrhywqqeim?t=Smarty_Pants_from_The_American_Scholar\" rel=\"noopener noreferrer\" target=\"_blank\">Google Play</a>&nbsp;•&nbsp;<a href=\"https://www.acast.com/smartypants\" rel=\"noopener noreferrer\" target=\"_blank\">Acast</a></p><p><br></p><p>Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!</p>","author_name":"The American Scholar"}