{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/3854f6b7-dd07-5986-9cab-9e69ded2bcbd/f177d888-c104-4eee-bbbe-43270451e133?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Ep. #613: AZITA","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/620127d84925ed4ea3ec08aa/620128107a924d0013e67e6f.jpg?height=200","description":"<p><a href=\"https://azita.info/\" rel=\"noopener noreferrer\" target=\"_blank\">AZITA</a>&nbsp;discusses playing everything on and self-recording her new album&nbsp;<a href=\"https://www.dragcity.com/products/glen-echo\" rel=\"noopener noreferrer\" target=\"_blank\"><em>Glen Echo</em></a>, coming of age in Iran, the mid-1980s Dischord Records scene, David Berman’s guiding hand, comedy, real pianos, future plans, and more. Supported by you on&nbsp;<a href=\"https://www.patreon.com/kreativekontrol\" rel=\"noopener noreferrer\" target=\"_blank\">Patreon</a>,&nbsp;<a href=\"http://trokaderoguelph.ca/\" rel=\"noopener noreferrer\" target=\"_blank\">Pizza Trokadero</a>,&nbsp;<a href=\"http://www.bookshelf.ca/home\" rel=\"noopener noreferrer\" target=\"_blank\">the Bookshelf</a>,&nbsp;<a href=\"http://www.planetbeancoffee.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Planet Bean Coffee</a>, and&nbsp;<a href=\"https://www.grandads.ca/\" rel=\"noopener noreferrer\" target=\"_blank\">Grandad’s Donuts.</a>&nbsp;Support&nbsp;<a href=\"https://yess.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Y.E.S.S.</a>&nbsp;and&nbsp;<a href=\"https://www.bwunited.ca/donate/\" rel=\"noopener noreferrer\" target=\"_blank\">Black Women United YEG</a>. Follow&nbsp;<a href=\"https://linktr.ee/vishkhanna\" rel=\"noopener noreferrer\" target=\"_blank\">vish online</a>.</p>","author_name":"Vish Khanna / Entertainment One (eOne)"}