{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/1d61e16a-746d-42b7-9023-4e9ae8777d73/6a5867146f129226868525cf?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Geektown Talks To Boris Mojsovski: I Will Find You, Titans, 12 Monkeys, Rabbit Hole & More","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/611eaee406c05e664ef40c33/1784178071809-1879e0f5-a954-44ad-a0fa-6d42eb010ad7.jpeg?height=200","description":"<p>In this episode of <strong>Geektown Talks To</strong>, Dave chats with cinematographer, director and filmmaker <strong>Boris Mojsovski</strong>, whose work includes Netflix’s Harlan Coben thriller <strong>‘I Will Find You’</strong>, along with <strong>‘Rabbit Hole’</strong>, <strong>‘12 Monkeys’</strong>, <strong>‘Titans’</strong>, <strong>‘The Lost Symbol’</strong>, <strong>‘The Madness’</strong> and more.</p><p>Boris talks about growing up around film sets, initially trying not to follow the family path into filmmaking, and how photography, writing and directing eventually pulled him back behind the camera. He also discusses the unusual position of being both a cinematographer and director on long-form television, and how that helps shape the visual identity of a series.</p><p>We then dive into <strong>‘I Will Find You’</strong>, exploring how Boris and the creative team built the show’s tense, grounded visual language, from its prison-set opening to the wider mystery that follows. He talks about creating a “visual manifesto” for the series, the challenge of making something feel real while still delivering thriller-level drama, and why the “geography of a face” can be one of the most powerful tools in visual storytelling.</p><p>The conversation also moves into some of Boris’s other genre work, including the paranoia of <strong>‘Rabbit Hole’</strong>, the time-travel complexity of <strong>‘12 Monkeys’</strong>, and the superhero world of DC’s <strong>‘Titans’</strong>. Plus, Boris teases his own upcoming film <strong>‘Foreign Tongue’</strong>, talks about recent projects including <strong>‘Star Trek: Starfleet Academy’</strong> and <strong>‘Into the Deep Blue’</strong>, and reveals the classic films he wishes he could have made himself.</p>","author_name":"David Elliott"}