{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/05db9598-9baf-443a-ab69-21a77284c034/6ab2b62a93749e4c0b539189?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Ep. 265: How Remi Wolf Built Her Career: Study the Greats, Take the Gig, Say Yes","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61b76666169562d85de9508f/1790096929780-faf5ca37-808e-40c0-83d7-d3448f134ff6.jpeg?height=200","description":"<p>Today’s guest is one of the most unmistakable voices in modern pop — an artist, songwriter and producer who has built a career by making music that sounds like nobody else. Her catalog has passed two billion global streams. She’s played top billing at festivals including Coachella, Lollapalooza and Outside Lands, opened for Olivia Rodrigo, Lorde and Paramore, and collaborated with artists including Nile Rodgers, Beck, Dominic Fike and Sylvan Esso.</p><p><br></p><p> And The Writer Is... Remi Wolf! </p><p><br></p><p>In this episode, we get into </p><p>- The USC training that rebuilt her voice </p><p>- Waiting tables and taking Craigslist gigs while building a career </p><p>- The 30-minute session behind “Photo ID,” </p><p>- Industry lessons for every artist to take notes on... </p><p>and much more. </p><p><br></p><p>Hit subscribe and turn on notifications. Every week, we go deep with the most interesting creatives in music. </p><p>Join us on Patreon: patreon.com/andthewriteris </p><p>Follow us on socials: @andthewriteris </p><p>A special thank you to our sponsors for making these conversations possible. </p><p>Our lead sponsor, NMPA — the National Music Publishers&#39; Association. Your support means the world to us. </p><p><br></p><p>CHAPTERS </p><p>0:00 Intro </p><p>0:40 “You can’t teach tone” — how Remi found hers </p><p>2:13 USC: “We’re going to beat you down until you feel like you’re nothing” </p><p>6:15 Fourteen, busking the Bay Area, and writing songs in Chloe’s kitchen </p><p>13:40 “Carousel” — the first song she ever wrote </p><p>15:41 A substitute teacher, an apartment, and her first recording </p><p>18:05 Ski racer by day, songwriter by night </p><p>19:05 Meeting Jared Solomon at 15 — then finding each other again </p><p>21:07 Applebee’s on tour — and the road to sobriety </p><p>24:04 Rehab, writing Juno sober, and why clarity changed the songs </p><p>29:02 “It’s not ready” — why she refused to release music in college </p><p>30:22 Six songs in one week — the reunion that started everything </p><p>34:24 Restaurant shifts and Craigslist gigs: how she paid to keep making music </p><p>39:26 The Sofar show that led to her first manager </p><p>42:39 “I had no expectations” — making music before the industry got involved </p><p>45:28 35,000 decisions a day — what creative control actually costs </p><p>49:22 “You have to start protecting yourself” </p><p>51:34 What is the goal? Redefining success </p><p>56:51 Her first album rollout sober </p><p>59:21 Social media, warped expectations, and screaming into the void </p><p>63:22 “Photo ID,” TikTok, and the accident that helped it explode </p><p>66:40 “Photo ID” took 30 minutes — and she thought it was horrible </p><p>70:15 Her first professional topline session: “I was overcome with social anxiety” </p><p>72:11 Why I’m Allergic to Dogs worked during lockdown </p><p>74:56 Why Juno is called Juno </p><p>78:50 Hayley Williams and singing with another “belt queen” </p><p>82:25 Five years of nonstop touring — and finally hitting pause </p><p>87:15 “I Won’t Cry” — her favorite song she’s ever written </p><p>89:15 “I was sick of the uptempo shit” — writing 130 songs for Mud </p><p>90:49 Her first pitch session was for BTS </p><p>92:34 Which Mud song fits every mood </p><p>94:10 “I’m the happiest I’ve been in my life”</p><p><br></p><p>Credits</p><p>Hosted by Ross Golan </p><p>Produced by Joe London &amp; Jad Saad </p>","author_name":"And The Writer Is"}