{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/05db9598-9baf-443a-ab69-21a77284c034/6aa98c7c79ba7f1eccdcb044?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Ep. 264: How Aaron Dessner Became an Industry Favorite and the 3AM Text That Became 'folklore'","description":"<p>Today's guest is a musician's musician who co-founded The National, the Grammy-winning band behind Boxer, High Violet and Sleep Well Beast.</p><p>He co-wrote and produced Taylor Swift's folklore and evermore, including cardigan and willow. folklore won Album of the Year at the Grammys.</p><p>He worked on The Tortured Poets Department and produced Ed Sheeran's Subtract.</p><p>He's behind Gracie Abrams' I Love You, I'm Sorry and Noah Kahan's Porch Light.</p><p>In the last year alone, he's made records with Mumford &amp; Sons, Florence + the Machine, Brandi Carlile, Sam Barber, Kevin Morby and Suki Waterhouse.</p><p>He's one half of Big Red Machine with Bon Iver's Justin Vernon.</p><p>And he built Long Pond, the Hudson Valley studio where many of these songs were made.</p><p><br></p><p>And The Writer Is... Aaron Dessner!</p><p><br></p><p>Hit subscribe and turn on notifications. Every week, we go deep with the most interesting creatives in music.</p><p><br></p><p>Follow us on socials: @andthewriteris</p><p><br></p><p>A special thank you to our sponsors for making these conversations possible.</p><p><br></p><p>Amazon Music for Songwriters. Your support means the world to us.</p><p>And SONA — Songwriters of North America. If you write songs, join them. They fight for us.</p><p><br></p><p>0:00 Intro</p><p>1:00 Cardigan, willow, Porch Light — and eight albums in a year</p><p>5:26 Why \"I Love You, I'm Sorry\" was never the single</p><p>7:27 Secretly rooting for the weird song</p><p>8:17 When a pop star needs a single right now</p><p>10:25 Don't fill the space: how he walks into a session</p><p>12:12 Long Pond and \"you never make a mistake investing in your creativity\"</p><p>17:24 Twin brothers and their dad's jazz drums</p><p>22:48 \"We faked it\": how The National got signed</p><p>26:48 Playing to no one — then 500 strangers in Michigan</p><p>30:05 \"Did you lose yourself?\"</p><p>33:14 When one bandmate starts writing hits for other people</p><p>35:38 On stage with Taylor: \"You're playing a stadium. It's okay.\"</p><p>37:27 \"Hey, it's Taylor\": the text in 2020</p><p>40:34 The Dropbox folder — and cardigan by 3 a.m.</p><p>47:45 The thank-you note that became willow</p><p>51:49 Meeting Gracie Abrams — and 2–3 songs a day</p><p>57:47 How an instrumentalist became the storyteller's whisperer</p><p>1:01:11 Why his albums don't get shelved: finishing Prizefighter</p><p>1:04:23 Studio stories: Gracie, Brandi Carlile, Florence, Sam Barber</p><p>1:11:40 Noah Kahan arrives burnt out — and Porch Light</p><p>1:15:41 Live Q&amp;A: finding the corners, his first key change</p><p>1:18:24 Advice for musicians with day jobs</p><p>1:20:07 What all the greats have in common</p><p><br></p><p>Credits:</p><p>Hosted by Ross Golan</p><p>Produced by Joe London &amp; Jad Saad</p>","author_name":"And The Writer Is"}