{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/05db9598-9baf-443a-ab69-21a77284c034/6a7b4362f91cd396b38bee53?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Ep. 260: Role Model | Being Discovered by Mac Miller & How Getting Signed Changed His Music ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61b76666169562d85de9508f/1786463016157-36d689a2-ad03-4749-b858-4e2e230e7201.jpeg?height=200","description":"<p>Today's guest is an artist most people meet through the bit: the deadpan internet, the cowboy suit, the one-sided war he's been waging with Harry Styles for a year that Harry Styles knows nothing about. </p><p><br></p><p>So this is the other version of him. A kid in Pittsburgh with a borrowed mic and beats ripped off YouTube, broke and failing out of school, who gets a message that Mac Miller loves a song off his first EP — and uses those three days in LA to convince his parents to let him drop out. </p><p><br></p><p>It's also one of the more honest conversations we've had about what the industry's upgrades actually cost you. Not the version where getting signed is the happy ending — the version where the nice studio, the engineer recording your vocals, and the A&amp;R in your ear slowly make music that isn't yours. Chuck Timely &amp; The Hourglass is what's on the other side of that: a record about time, made by someone who spent years trying to get his own back. And the only person who ever told him not to make it was his mother.</p><p><br></p><p>And The Writer Is... Role Model!</p><p><br></p><p>A special thank you to our sponsors for making these conversations possible.</p><p>Our lead sponsor, NMPA — the National Music Publishers' Association. Your support means the world to us. </p><p>And @splice — the best sample library on the market. Period.</p><p>They are also maybe the only ethical ai-integrated sample library and they pay creators for using their work in the new Variations update and beyond. </p><p><br></p><p>Chapters</p><p>0:00 Intro</p><p>2:00 The year-long war with Harry Styles that Harry Styles knows nothing about</p><p>2:41 Mac Miller and Odd Future on Vine are why he finally said yes to TikTok</p><p>3:33 The message about \"Stolen Car\" that came while he was failing out of school</p><p>15:01 \"Did you scrub the internet?\" — \"Yes. Because I was embarrassed.\"</p><p>16:13 \"I was trying to impress a label. I just made shitty music.\"</p><p>24:16 A 16-year-old in Portland, Maine, and an EP made entirely over email</p><p>25:44 The labels start calling: \"I was a sitting duck\"</p><p>27:01 The studio trap — how nice rooms take the music out of your hands</p><p>28:01 The two EPs he's blocked out: \"I don't remember making that music\"</p><p>28:54 Why he won't pitch songs to other artists</p><p>31:06 The 80s synth album they made for two months and scrapped</p><p>34:33 The two rules: no synths, no drum machines</p><p>35:06 His mom: \"There's country in it? Your fans are gonna hate that.\"</p><p>37:39 \"Sally,\" written in the 30 minutes a session ran short</p><p>42:09 \"But who is Chuck?\" — inventing Chuck Timely</p><p>47:12 Ross defines a good song: \"This will piss off a lot of people\"</p><p>53:10 What he'd say to Mac Miller</p><p>54:44 \"Look at That Woman\" started as a joke — and why the loose ones win</p><p>56:27 The permission Kansas Anymore gave other songwriters</p><p><br></p><p>Credits: </p><p>Hosted by Ross Golan </p><p>Produced by Joe London &amp; Jad Saad</p>","author_name":"And The Writer Is"}