{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/05db9598-9baf-443a-ab69-21a77284c034/6a5f92aa4827c673f0ea118a?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Ep. 257: Adam Lambert on Idol, Fronting Queen, and Opting Out of the Industry Game","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61b76666169562d85de9508f/1784648056580-31715150-7ba3-4b40-937c-9de1dde00256.jpeg?height=200","description":"<p>Today's guest is one of the great voices of his generation — the theater kid who auditioned for American Idol with Michael Jackson, watched the judges' faces fall, and demanded a second song because he'd just quit his job and had no health insurance. But his real story isn't the voice. It's the game — the one Freddie Mercury wrote about, the one that picks your singles, writes your headlines, and decides who you are before you do.</p><p><br></p><p>And The Writer Is... Adam Lambert!</p><p><br></p><p>In this episode of And The Writer Is, we go deep on:</p><p><br></p><p>The AMA kiss that blew up a $500,000 single launch — \"everyone was going, oh shit\"</p><p>Quitting Wicked — and losing his health insurance — to audition, then refusing the judges' no</p><p>Why Kara DioGuardi 'busted his balls all season'</p><p>What Brian May says \"Play the Game\" was really about</p><p>Signed before the finale even aired: why losing Idol never mattered</p><p>and much more.</p><p><br></p><p>Hit subscribe and turn on notifications. Every week, we go deep with the most interesting creatives in music.</p><p><br></p><p>Follow us on socials: @andthewriteris</p><p><br></p><p>A special thank you to our lead sponsor, NMPA — the National Music Publishers' Association. </p><p><br></p><p>0:00 Intro</p><p>1:09 The album is out — why self-titled, \"first name basis\"</p><p>2:35 Meeting Pete Nappi through a pandemic song still in the vault</p><p>3:39 \"Am I Okay\" — written one week after the breakup</p><p>6:02 Singles made him \"crazy\" — the label picks that flopped: \"I told you so\"</p><p>7:04 Leaning into what fans expect vs. challenging them</p><p>8:16 Proud of the flops, indifferent to some hits</p><p>9:34 Theater kids: every album is a character, every record a world</p><p>11:28 The dystopian cover — \"I want it blasted into the future\"</p><p>13:55 Adam Lambert or Freddie Mercury? \"I feel like it's me\"</p><p>15:35 Coffee with Freddie — what Brian says \"Play the Game\" was really about</p><p>16:56 \"The music industry is a big old game, isn't it?\"</p><p>17:43 A college-DJ dad, a Sly Stone mom, and a kid screaming through the house</p><p>19:46 The Fiddler note where everybody went \"oh, wow\"</p><p>21:03 San Diego to LA at 19 — math knocked him off the college path</p><p>23:00 Weed, poetry, and GarageBand</p><p>25:49 Wicked: six months, burnt out, and a new plan</p><p>29:20 Inside the Idol machine — two camps, two agendas</p><p>32:49 The Burning Man epiphany that vanquished the fear</p><p>34:39 No job, no insurance, and judges who didn't get Rock With You</p><p>35:11 \"I didn't really ask\" — the second song that changed everything</p><p>36:22 Why Idol can't break artists anymore</p><p>38:04 Honey water: the whiskey story behind Kara DioGuardi's grudge</p><p>41:21 Justin Timberlake tells him to remake A Night at the Opera</p><p>42:06 Losing the finale — already signed before it aired</p><p>47:20 The blog photos drop: \"Yeah, that's me. Get over it.\"</p><p>51:53 The AMA kiss and the $500,000 single</p><p>53:22 What Do You Want From Me — the P!nk demo</p><p>56:00 Singing uncredited on Avicii's \"Lay Me Down\"</p><p>59:03 \"It takes a village — bring them with you\"</p><p>60:26 Max Martin: \"When you get on stage, I don't have to worry\"</p><p>61:26 How Queen actually made the call</p><p>62:07 Trespassing hits #1 — a first he didn't know he'd made</p><p>62:48 The poster-child years: \"the headline is that I'm gay, and no one's talking about the music\"</p><p>66:11 Trespassing, the \"bipolar album\" — his half vs. the label's half</p><p>67:20 Two months with the Wolf Cousins — why his songs didn't make the cut</p><p>70:05 The Ghost Town gamble — \"you've got to do something drastic\"</p><p>72:44 Songs with no home — \"throwing my ideas into space\"</p><p>76:03 Velvet dies to Covid, two weeks in</p><p>76:52 A Telefunken, YouTube tutorials, and teaching himself Logic</p><p>77:51 The secret musical: 20 songs written over Zoom</p><p>82:45 Identity vs. brand — \"the personality precedes the skill\"</p><p>83:35 Songwriters don't get paid for their time — the union conversation</p><p>87:37 Giving his co-writers master points — \"it's just classy, man\"</p><p>88:28 Where the stage presence actually comes from</p><p>90:13 The hardest part of fame</p><p>93:06 \"I nitpick the negative\" — showing the uglier side for the first time</p><p>96:28 Is Ozempic killing LA nightlife?</p><p><br></p><p>Credits:</p><p>Hosted by Ross Golan</p><p>Produced by Joe London &amp; Jad Saad</p><p>Edited by Jad Saad</p>","author_name":"And The Writer Is"}