{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/05db9598-9baf-443a-ab69-21a77284c034/6a4d248dad78abcff1c1d9e7?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Ep. 255: Brittany Howard | How Alabama Shakes Went From a Garbage Truck to Playing with Prince","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61b76666169562d85de9508f/1783440439319-4e136e74-3511-402e-8e39-4e1c7e083db5.jpeg?height=200","description":"<p>Today's guest is Brittany Howard — four-time Grammy winner, the voice of Alabama Shakes, and one of the most singular artists of her generation. But her real story isn't the accolades or the sold-out rooms. It's a single-wide trailer, a junkyard full of animals, and a garbage truck — and a woman who never once chased any of it.</p><p><br></p><p>From a Cotton Patch trailer park to Paisley Park, Brittany built a career by refusing to do it the way you're supposed to. She carries three things simultaneously that most artists never figure out how to hold at once: an obsessive craftsman's ear (she'll stab an amp with a screwdriver to find a tone), an unbudging authenticity (she showed up to the deal that changed her life hungover, in her pajamas, in a mail truck), and a total indifference to the machine (0% involvement in her own charts, streams, and licensing).</p><p><br></p><p>This is one of the more honest conversations we've had about staying true to yourself in music.</p><p><br></p><p>And The Writer Is... Alabama Shakes!</p><p><br></p><p><br></p><p>Hit subscribe and turn on notifications. Every week, we go deep with the most interesting creatives in music.</p><p><br></p><p>Follow us on socials: @andthewriteris</p><p><br></p><p>A special thank you to our sponsor, NMPA — the National Music Publishers Association. Your support means the world to us.</p><p><br></p><p>Timestamps</p><p>0:00 Intro</p><p>2:09 Is hunting for tone a fool's errand?</p><p>4:02 \"Happy accidents\" — taste vs. preference</p><p>6:22 Stabbing an amp with a screwdriver for the perfect tone</p><p>9:02 Born in a single-wide in Cotton Patch trailer park</p><p>10:53 \"Are we rich now?\" — a junkyard, 96 cats, 26 dogs</p><p>12:53 Picking up guitar out of necessity (she wanted to play bass)</p><p>17:00 Recording songs at 12 on Audacity, alone in the woods</p><p>18:45 The At the Drive-In shirt — meeting Zach</p><p>19:33 Mom: \"I didn't know you could sing\" / \"Me either\"</p><p>20:46 Her first song ever</p><p>28:59 The label meeting: hungover, in pajamas, in a mail truck</p><p>32:22 Writing \"Hold On\" in a garbage truck</p><p>33:27 Making up the whole song live on stage at The Brick</p><p>37:06 How a record deal did (and didn't) change how she lived</p><p>44:01 \"Do I have any money?\" — buying her first house</p><p>46:07 Meeting Shawn Everett &amp; Blake Mills for Sound &amp; Color</p><p>52:51 Talking to Prince on the phone — and his list of rules</p><p>54:17 Playing \"Gimme All Your Love\" with Prince — \"did he change his mind?\"</p><p>56:49 How Alabama Shakes came back together</p><p>59:15 Rapid fire + \"Leave music to the people who love music\"</p><p><br></p><p>Credits</p><p>Hosted by Ross Golan</p><p>Produced by Joe London &amp; Jad Saad</p><p>Edited by Jad Saad</p>","author_name":"And The Writer Is"}